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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    313 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    553 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "The Fleet of Aeneas Arrives in Sight of"12 records

Institutions answered newest-first by record, interleaved

Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III) by Master of the Aeneid, The Metropolitan Museum of Art

Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)

Master of the Aeneid (d. 1545)

ca. 1530–35 · Painted enamel on copper, partly gilt

Cleared · Public Domain

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The MetSimilar
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III) by Master of the Aeneid, The Metropolitan Museum of Art

The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)

Master of the Aeneid (d. 1545)

ca. 1530–35 · Painted enamel on copper, partly gilt

Cleared · Public Domain

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The MetSimilar
Neptune Calming the Tempest Raised Against the Fleet of Aeneas by Giulio Bonasone, The Metropolitan Museum of Art

Neptune Calming the Tempest Raised Against the Fleet of Aeneas

Giulio Bonasone (d. 1576)

1576 · Engraving

Cleared · Public Domain

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The MetSimilar
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso) by Sebastiano Conca, The Metropolitan Museum of Art

Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)

Sebastiano Conca (d. 1764)

ca. 1716–18 · Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)

Cleared · Public Domain

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The MetSimilar
The Splendid Naval Triumph on the Mississippi, April 24th, 1862: Destruction of the Rebel Gunboats, Rams, and Iron Clad Batteries by the Union Fleet under Flag Officer Farragut by Currier & Ives, The Metropolitan Museum of Art

The Splendid Naval Triumph on the Mississippi, April 24th, 1862: Destruction of the Rebel Gunboats, Rams, and Iron Clad Batteries by the Union Fleet under Flag Officer Farragut

Currier & Ives (d. 1907)

1862 · Color lithograph

Cleared · Public Domain

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The MetSimilar
Savitri by an unrecorded maker, The Metropolitan Museum of Art

Savitri

Unrecorded maker

ca. 1885–90 · Lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Juno requesting the aid of Aeolus to destroy the fleet of Aeneas, plate 6 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi (d. 1682)

ca. 1661 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas, plate 5 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi (d. 1682)

ca. 1661 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The arrival of Aeneas and his fleet in Italy, plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi (d. 1682)

ca. 1661 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Aeneas arrives at Carthage, from a series of twenty plates depicting mythological subjects, plate 15, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reduced copy in reverse of Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas; plate 5 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi (d. 1682)

ca. 1661–80 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reduced copy in reverse of the arrival of Aeneas and his fleet in Italy; plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio", after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi (d. 1682)

ca. 1661–80 · Etching

In copyright

live
The MetSimilar

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