A painting can be out of copyright and thephotograph of it can still be protected.

Adoration of the Magi

Flemish (d. 1600)

first quarter 16th century · Pen and light brown and grayish brown ink over traces of black chalk; original borderline all around.

The Farrier

Aert van der Neer (d. 1677)

early or mid-1650s · Oil on wood

Triumph of the Eucharist

Anonymous, Flemish, 17th century (d. 1700)

mid-17th century · Black chalk, brush and brown wash, heightened with white gouache, on blue paper

Design for a Wall Tomb with a Variant and Statues of the Resurrected Christ and a kneeling Donor

Anonymous, Flemish

17th century · Pen and brown ink with red, blue and brown wash

Design for an Epitaph surmounted by a Statue of the Virgin and Child

Anonymous, Flemish

17th century · Pen and brown ink with brown wash

Portfolio with drawings and prints of tombs and epitaphs

Anonymous, Flemish

17th century · Pen and brown ink, black chalk, brush and brown and gray wash

The Vision of St. Eustace

Anonymous, Flemish, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash; framing lines in pen and brown ink

Massacre of the Innocents

Anonymous, Flemish, 18th century (d. 1800)

18th century (?) · Red chalk

The Flemish Farrier

Théodore Géricault (d. 1824)

1822 · Lithograph

The farrier

Cornelis Visscher (d. 1658)

ca. 1650 · Engraving and etching

The Deposition

Anonymous, Flemish, 17th century (d. 1700)

1670 · Engraving

The Flemish Topers

François Vivares (d. 1780)

1720–80 · Etching and Engraving