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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    287 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 106 matching records exist across the two collections.

Results for "The Fountain, No. 1: The Wounded Indian"9 records

Institutions answered newest-first by record, interleaved

The Reign of Jupiter by an unrecorded maker, The Metropolitan Museum of Art

The Reign of Jupiter

Unrecorded maker

ca. 1550–70 · Marble

Cleared · Public Domain

live
The MetSimilar
An Indian Yogi Tied to a Palm Tree by Willem Schellinks, The Metropolitan Museum of Art

An Indian Yogi Tied to a Palm Tree

Willem Schellinks (d. 1678)

mid-17th–late 17th century · Black chalk, graphite, red chalk; framing line in graphite, by the artist

Cleared · Public Domain

live
The MetSimilar
Fountain and basin by Meissen Manufactory, The Metropolitan Museum of Art

Fountain and basin

Meissen Manufactory (d. 9999)

ca. 1727–32 · Hard-paste porcelain decorated in polychrome enamels, gold; silver spout

Cleared · Public Domain

live
The MetSimilar
A Woman at a Fountain by a Ruined Temple, the Farnese Hercules in the Background by Johannes Antiquus, The Metropolitan Museum of Art

A Woman at a Fountain by a Ruined Temple, the Farnese Hercules in the Background

Johannes Antiquus (d. 1750)

1726–50 · Black chalk, pen and gray ink, with gray wash; framing line in black ink

Cleared · Public Domain

live
The MetSimilar
The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst by Thomas Cole, The Metropolitan Museum of Art

The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst

Thomas Cole (d. 1848)

1843 · Graphite and white gouache on green wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a courtyard with a labyrinth in the foreground at left and a fountain at right, plate 49, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Journal des Dames et des Modes, No. 44 (10 August 1913)

Vaugirard

1913 · plates: hand colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Announcement for Kelley's Weekly Bulletin with cards from the American Indian Series (D6), issued by the Kelley Baking Company, including cards Man and Chief, No. 1; Crow's Breast, No. 2; Arkikita, No. 3; Geronimo, No. 4; British, No. 5; True Eagle, No. 6; Young Black Dog, No. 7; Red Thunder, No. 8

Kelley Baking Company

1940 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Card No. 1, White Swan, from the Indian Chiefs series (T129) issued by Red Man Chewing Tobacco

Red Man Chewing Tobacco

1954 · Commercial color lithograph

In copyright

live
The MetSimilar

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