
The Four Windmills
Wenceslaus Hollar (d. 1677)
1650 · Etching; first state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
656 ms. The Metropolitan Museum of Art, Collection API (Open Access)
364 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14,977 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Four Windmills
Wenceslaus Hollar (d. 1677)
1650 · Etching; first state of two
Cleared · Public Domain
live
The Three Windmills
Wenceslaus Hollar (d. 1677)
1651 · Etching
Cleared · Public Domain
live
Dutch Landscape with Windmills
Jan Brueghel the Elder (d. 1625)
17th century · Pen and brown ink, brush and brown, blue, and gray wash; framing lines in black ink
Cleared · Public Domain
live
The Three Windmills (Les Trois Moulins) after a painting in the collection of the Duc de Praslin
Balthasar Anton Dunker (d. 1807)
1772 · Etching and engraving
Cleared · Public Domain
live
Landscape with Windmills and Cart
Anonymous, French, 18th century (d. 1800)
1790 · Etching and engraving
Cleared · Public Domain
live![[Windmills, Montmartre] by Hippolyte Bayard, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP167356.jpg)
[Windmills, Montmartre]
Hippolyte Bayard (d. 1887)
1839 · Salted paper print
Cleared · Public Domain
live
Two Windmills in Montmartre
Charles Jacque (d. 1894)
1846 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Zaandam Windmills
Sir David Young Cameron (d. 1945)
1892 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Zaandam Windmills
Sir David Young Cameron (d. 1945)
1892 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
April in Kent
James McBey (d. 1959)
1912 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Greek Village with Windmills
Edward Alexander Wadsworth (d. 1949)
1916 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Windmill
Sybil Andrews (d. 1992)
1933 · Color linocut on Japanese paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.