Terracotta cinerary urn
Unrecorded maker
2nd century BCE · Terracotta
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
989 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
1750 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 155 matching records exist across the two collections.
Results for "The Freedman"11 records
Institutions answered newest-first by record, interleaved
Marble portrait of a man from a funerary relief
Unrecorded maker
late 1st century BCE · Marble
Cleared · Public Domain
liveThe MetSimilar
Portrait of the Boy Eutyches
Unrecorded maker
100–150 CE · Encaustic on wood
Cleared · Public Domain
liveThe MetSimilar
Marble statue of Dionysos seated on a panther
François Duquesnoy (d. 1643)
1st–3rd century CE · Marble
Cleared · Public Domain
liveThe MetSimilar
Emancipated Slaves Brought from Louisiana by Colonel George H. Hanks
Myron H. Kimball (d. 9999)
December 1863 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
The Freedman
John Quincy Adams Ward (d. 1910)
1863, cast 1891 · Bronze
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan of the Tomb of Chambers of the Freedman of the Household of L. Arruntius, tome 2, tavola 8 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Uncut Boxing strip cards (W580)
Unrecorded maker
ca.1925–31 · Commercial photolithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Real Farmhouse Cheese
Barnett Freedman (d. 1958)
[1934–39] · Illustrations: color lithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dome
Nahum Tschacbasov (d. 1984)
1942 · Engraving and aquatint; artist's proof
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Bird
Nahum Tschacbasov (d. 1984)
1947 · Engraving and aquatint
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.