
Fragment of a terracotta neck-amphora (jar)
Prometheus Painter
ca. 575–560 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
147 ms. The Metropolitan Museum of Art, Collection API (Open Access)
356 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 169 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment of a terracotta neck-amphora (jar)
Prometheus Painter
ca. 575–560 BCE · Terracotta
Cleared · Public Domain
live
Terracotta neck-amphora (storage jar)
Prometheus Painter
ca. 570–560 BCE · Terracotta
Cleared · Public Domain
live
Tityus Punished in Hell
Cornelis Cort (d. 1578)
1566 · Engraving; first state of three
Cleared · Public Domain
live
Torture of Prometheus set within a cornice
Cherubino Alberti (Zaccaria Mattia) (d. 1615)
1580 · Engraving
Cleared · Public Domain
live
The Release of Prometheus
Max Klinger (d. 1920)
late 19th–early 20th century · Pen and black ink on buff stock
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Neck-amphora, Tyrrhenian, fragmentary
Prometheus Painter
ca. 560 BCE · Terracotta
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Terracotta neck-amphora (storage jar)
Prometheus Painter
ca. 570–560 BCE · Terracotta
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lieutenant Moody Freeing a Prisoner in the Hands of the Americans
Robert Pollard (d. 1838)
February 19, 1785 · Aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Freeing of Prometheus
Rudolf Jettmar (d. 1869)
1910 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lincoln Freeing the Slaves 1863 trade card (W500)
Mayfair Novelty Co.
ca. 1918–20 · Commercial color lithograph reproducing drawing
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prometheus
Carl Hoeckner (d. 1972)
1900–1960 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prometheus and the Atom # 2
Hilda Katz (d. 1997)
ca. 1965 · Relief
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.