
Allegory of Virtues and Vices at the Court of Charles V
Hans Daucher (d. 1538)
ca. 1522 · Honestone (Jurassic limestone), traces of gilding
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
258 ms. The Metropolitan Museum of Art, Collection API (Open Access)
392 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 201 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Allegory of Virtues and Vices at the Court of Charles V
Hans Daucher (d. 1538)
ca. 1522 · Honestone (Jurassic limestone), traces of gilding
Cleared · Public Domain
live
Pair of candlestands
Unrecorded maker
ca. 1735 · Linden wood; cut and gilded gesso; Tegernsee limestone top
Cleared · Public Domain
live
Side chair (Chaise à la reine) (part of a set)
Jean Baptiste Boulard (d. 1789)
1786–87 · Carved and gilded beech; silk damask (not original)
Cleared · Public Domain
live
Side chair (Chaise à la reine) (part of a set)
Jean Baptiste Boulard (d. 1789)
1786–87 · Carved and gilded beech; silk damask (not original)
Cleared · Public Domain
live
Side chair (Chaise à la reine) (part of a set)
Jean Baptiste Boulard (d. 1789)
1786–87 · Carved and gilded beech; silk damask (not original)
Cleared · Public Domain
live
Interior Ornamented Wall with Window and Furniture, nos. 411–424, plate 64 from "Designs for Various Ornaments"
Michelangelo Pergolesi (d. 1801)
February 15, 1792 · Hand-colored etching
Cleared · Public Domain
live
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1
Rudolph Ackermann, London (d. 1832)
January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples
Cleared · Public Domain
live
Nineveh and Persia No. 1, plate XII from The Grammar of Ornament, 3rd edn.
Owen Jones (d. 1874)
1868 · Color lithograph
Cleared · Public Domain
live
Books and Scholars' Possessions
Unidentified artist
early 20th century · Ten-panel folding screen; ink and color on silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Part of the French Court, No. 1; Sevres, from "Recollections of the Great Exhibition, 1851"
Walter Goodall (d. 1889)
1851 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Furniture Court, No. 1, from "Recollections of the Great Exhibition, 1851"
Thomas Harrington Wilson (d. 1900)
1851 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Furniture Court, No. 2, from "Recollections of the Great Exhibition, 1851"
Edwin Thomas Dolby (d. 1895)
1851 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.