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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    258 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    392 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 201 matching records exist across the two collections.

Results for "The Furniture Court, No. 1, from "Recoll"12 records

Institutions answered newest-first by record, interleaved

Allegory of Virtues and Vices at the Court of Charles V by Hans Daucher, The Metropolitan Museum of Art

Allegory of Virtues and Vices at the Court of Charles V

Hans Daucher (d. 1538)

ca. 1522 · Honestone (Jurassic limestone), traces of gilding

Cleared · Public Domain

live
The MetSimilar
Pair of candlestands by an unrecorded maker, The Metropolitan Museum of Art

Pair of candlestands

Unrecorded maker

ca. 1735 · Linden wood; cut and gilded gesso; Tegernsee limestone top

Cleared · Public Domain

live
The MetSimilar
Side chair (Chaise à la reine) (part of a set) by Jean Baptiste Boulard, The Metropolitan Museum of Art

Side chair (Chaise à la reine) (part of a set)

Jean Baptiste Boulard (d. 1789)

1786–87 · Carved and gilded beech; silk damask (not original)

Cleared · Public Domain

live
The MetSimilar
Side chair (Chaise à la reine) (part of a set) by Jean Baptiste Boulard, The Metropolitan Museum of Art

Side chair (Chaise à la reine) (part of a set)

Jean Baptiste Boulard (d. 1789)

1786–87 · Carved and gilded beech; silk damask (not original)

Cleared · Public Domain

live
The MetSimilar
Side chair (Chaise à la reine) (part of a set) by Jean Baptiste Boulard, The Metropolitan Museum of Art

Side chair (Chaise à la reine) (part of a set)

Jean Baptiste Boulard (d. 1789)

1786–87 · Carved and gilded beech; silk damask (not original)

Cleared · Public Domain

live
The MetSimilar
Interior Ornamented Wall with Window and Furniture, nos. 411–424, plate 64 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Interior Ornamented Wall with Window and Furniture, nos. 411–424, plate 64 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

February 15, 1792 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1

Rudolph Ackermann, London (d. 1832)

January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
Nineveh and Persia No. 1, plate XII from The Grammar of Ornament, 3rd edn. by Owen Jones, The Metropolitan Museum of Art

Nineveh and Persia No. 1, plate XII from The Grammar of Ornament, 3rd edn.

Owen Jones (d. 1874)

1868 · Color lithograph

Cleared · Public Domain

live
The MetSimilar
Books and Scholars' Possessions by Unidentified artist, The Metropolitan Museum of Art

Books and Scholars' Possessions

Unidentified artist

early 20th century · Ten-panel folding screen; ink and color on silk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of the French Court, No. 1; Sevres, from "Recollections of the Great Exhibition, 1851"

Walter Goodall (d. 1889)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Furniture Court, No. 1, from "Recollections of the Great Exhibition, 1851"

Thomas Harrington Wilson (d. 1900)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Furniture Court, No. 2, from "Recollections of the Great Exhibition, 1851"

Edwin Thomas Dolby (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.