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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    360 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    267 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "The Gamekeeper"11 records

Institutions answered newest-first by record, interleaved

Stela of the Gatekeeper Maati by an unrecorded maker, The Metropolitan Museum of Art

Stela of the Gatekeeper Maati

Unrecorded maker

ca. 2051–2030 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Miniature corbel in the shape of a hand by an unrecorded maker, The Metropolitan Museum of Art

Miniature corbel in the shape of a hand

Unrecorded maker

ca. 883–859 BCE · Ceramic, glaze

Cleared · Public Domain

live
The MetSimilar
Miniature corbel in the shape of a hand by an unrecorded maker, The Metropolitan Museum of Art

Miniature corbel in the shape of a hand

Unrecorded maker

ca. 883–859 BCE · Ceramic, bitumen

Cleared · Public Domain

live
The MetSimilar
Yakshas Relief by an unrecorded maker, The Metropolitan Museum of Art

Yakshas Relief

Unrecorded maker

8th–9th century · Stone

Cleared · Public Domain

live
The MetSimilar
The Gamekeeper by William Henry Hunt, The Metropolitan Museum of Art

The Gamekeeper

William Henry Hunt (d. 1864)

1824–25 · Pen and brown ink and watercolor over pencil heightened with gum arabic

Cleared · Public Domain

live
The MetSimilar
The Old Gamekeeper by David Kinnebrook, The Metropolitan Museum of Art

The Old Gamekeeper

David Kinnebrook (d. 1865)

ca. 1844 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Read's Crinoline Sketches, No. 9 by Anonymous, British, 19th century, The Metropolitan Museum of Art

Read's Crinoline Sketches, No. 9

Anonymous, British, 19th century (d. 1900)

July 22, 1859 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
Head of a Gamekeeper by Alphonse Legros, The Metropolitan Museum of Art

Head of a Gamekeeper

Alphonse Legros (d. 1911)

1837–1911 · Red chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Highland Interior (from Royal Gallery of British Art)

Sir Edwin Henry Landseer (d. 1873)

1839 · Mixed method engraving on chine collé; proof before letters

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Highland Interior

Sir Edwin Henry Landseer (d. 1873)

1868 · Mixed method engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Derby

John David

ca. 1940 · wool, silk

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.