Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
270 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,259 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
The Garden of Eden
Unrecorded maker
last quarter 16th century · Velvet worked with silk and metal thread; long-and-short, split, stem, satin, chain, knots, and couching stitches; applied canvas worked with silk thread in tent stitch
Cleared · Public Domain
live
The Holy Family on the Steps
Nicolas Poussin (d. 1665)
1648 · Painting, oil on canvas
Cleared · CC0
live
Adam in the Garden of Eden, Naming the Animals
Joachim Wtewael (d. 1638)
ca. 1605–10 · Pen and black ink, brush and gray wash, heightened with white
Cleared · Public Domain
live
The Expulsion from Paradise
Jan Wierix (d. 1615)
c. 1606 · Drawing, Pen and brown ink on parchment
Cleared · CC0
live
Adam and Eve in the Garden of Eden with Virtues
Unrecorded maker
first half 17th century · Canvas worked with silk, metal thread, glass beads, spangles; tent, Gobelin, satin, long-and-short, cross, and couching stitches
Cleared · Public Domain
live
Adam and Eve
Albrecht Dürer (d. 1528)
1504 · Print, engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adam and Eve in the Garden of Eden, from Chasseneuz's 'Catalogus Gloriae Mundi'
Jost Amman (d. 1591)
1579 · Engraving; first state of two
In copyright
live
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) and Text with Illustrated Border (verso) (1 of 3 Excised Leaves)
Unrecorded maker
c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adam and Eve in the Garden of Eden, Eve at right handing Adam the apple
Andrea Zucchi (d. 1740)
ca. 1720 · Etching
In copyright
live
The Fall of Adam and Eve
Hans Burgkmair (d. 1531)
1525, printed later · Print, woodcut on eight sheets of paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adam and Eve in the Garden of Eden, Eve at right giving Adam the apple
Pietro Monaco (d. 1772)
1741–52 · Etching and engraving
In copyright
live
The Holy Family with Saint Elizabeth
Jacopo de' Barbari (d. 1516)
c. 1503 · Print, engraving
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.