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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    284 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    349 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "The Genius of Fire, bound in L'Oeuvre or"11 records

Institutions answered newest-first by record, interleaved

Furniture plaque carved in relief with a winged, falcon-headed sphinx by an unrecorded maker, The Metropolitan Museum of Art

Furniture plaque carved in relief with a winged, falcon-headed sphinx

Unrecorded maker

ca. 9th–8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Rothschild lamp by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Rothschild lamp

Andrea Briosco, called Riccio (d. 1532)

ca. 1510–20 · Bronze, on a later wood base

Cleared · Public Domain

live
The MetSimilar
The Sacrifice of a Ram, from "Speculum Romanae Magnificentiae" by Marco Dente, The Metropolitan Museum of Art

The Sacrifice of a Ram, from "Speculum Romanae Magnificentiae"

Marco Dente (d. 1527)

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Study for "L'Accordée du village" by Jean-Baptiste Greuze, The Metropolitan Museum of Art

Study for "L'Accordée du village"

Jean-Baptiste Greuze (d. 1805)

ca. 1761 · Red and black chalk over traces of graphite, watercolor and gouache

Cleared · Public Domain

live
The MetSimilar
Denis Diderot (1713–1784) by Jean Antoine Houdon, The Metropolitan Museum of Art

Denis Diderot (1713–1784)

Jean Antoine Houdon (d. 1828)

1773 · Marble

Cleared · Public Domain

live
The MetSimilar
Mantel clock ("Pendule Uranie") by Jean-André Lepaute, The Metropolitan Museum of Art

Mantel clock ("Pendule Uranie")

Jean-André Lepaute (d. 1789)

ca. 1764–70 · Case: patinated bronze and gilded bronze; Dial: white enamel; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Pennsylvania Magazine or American Monthly Museum by Robert Aitken, The Metropolitan Museum of Art

Pennsylvania Magazine or American Monthly Museum

Robert Aitken (d. 1802)

January–December 1775 · Illustrations: engraving

Cleared · Public Domain

live
The MetSimilar
Grand Salon from the Hôtel de Tessé, Paris by Nicolas Huyot, The Metropolitan Museum of Art

Grand Salon from the Hôtel de Tessé, Paris

Nicolas Huyot (d. 1791)

ca. 1768–72, with later additions · Carved, painted, and gilded oak; bleu turquin marble, gilt bronze; plaster

Cleared · Public Domain

live
The MetSimilar
King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7) by Francesco Bartolozzi, The Metropolitan Museum of Art

King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7)

Francesco Bartolozzi (d. 1815)

ca. 1783 · Stipple engraving, printed in brown ink

Cleared · Public Domain

live
The MetSimilar
Saint Sebastian by Pietro Tacca, The Metropolitan Museum of Art

Saint Sebastian

Pietro Tacca (d. 1640)

statuette: 17th century; trunk: 19th century or later · Bronze, fire-gilt, on later patinated bronze trunk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Genius of Fire, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 1

Baron Dominique Vivant Denon (d. 1825)

1873 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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