
Saint Anthony Abbot (with Saint John the Baptist)
Martino di Bartolommeo di Biagio (d. 1435)
1435 · Tempera on wood, gold ground
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
609 ms. The Metropolitan Museum of Art, Collection API (Open Access)
380 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 188 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Saint Anthony Abbot (with Saint John the Baptist)
Martino di Bartolommeo di Biagio (d. 1435)
1435 · Tempera on wood, gold ground
Cleared · Public Domain
live
Saint Anthony the Abbot in the Wilderness
Sano di Pietro (Ansano di Pietro di Mencio) (d. 1481)
ca. 1440 · Tempera and gold on wood
Cleared · Public Domain
live
Saint Anthony Abbot
Nikolaus von Hagenau (d. 1538)
ca. 1500 · Walnut
Cleared · Public Domain
live
Three Saints: Roch, Anthony Abbot, and Lucy
Cima da Conegliano (Giovanni Battista Cima) (d. 1518)
ca. 1513 · Oil on canvas, transferred from wood
Cleared · Public Domain
live
Roundel with the Temptation of Saint Anthony
Unrecorded maker
1532 · Colorless glass, vitreous paint and silver stain
Cleared · Public Domain
live
Scenes from the Life of Saint Anthony Abbot
Giovanni Battista Lombardelli (Giovanni Battista della Marca, "Il Montano") (d. 1587)
1532–87 · Pen and brown ink, red chalk, brush and red wash. Traces of squaring in black chalk
Cleared · Public Domain
live
The Glorification of Saint Anthony Abbot
Carlo Innocenzo Carloni (d. 1775)
1775 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frontispiece to "The Life of Saint Anthony the Abbot"
Antonio Tempesta (d. 1630)
1598 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 19: Saint Anthony Encounters Christ, from "The Life of Saint Anthony the Abbot"
Antonio Tempesta (d. 1630)
1598 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 20: Saint Anthony Blesses Goats, from "The Life of Saint Anthony the Abbot"
Antonio Tempesta (d. 1630)
1598 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5: Young Saint Anthony Entering Church, from "The Life of Saint Anthony the Abbot"
Antonio Tempesta (d. 1630)
1598 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Meeting of Saint Paul the Hermit and Saint Anthony Abbot
Pietro Antonio Novelli (d. 1804)
1761 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.