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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    462 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    342 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 24,532 matching records exist across the two collections.

Results for "The Gold Capital of a Column"12 records

Institutions answered newest-first by record, interleaved

Marble fragment of an Ionic column capital by an unrecorded maker, The Metropolitan Museum of Art

Marble fragment of an Ionic column capital

Unrecorded maker

3rd–1st century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Salome Receiving John the Baptist’s Head on a Platter (folio 112 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by an unrecorded maker, The Cleveland Museum of Art

Salome Receiving John the Baptist’s Head on a Platter (folio 112 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Unrecorded maker

1602–4 · Manuscript, Gum tempera, ink, color, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Column Capital by an unrecorded maker, The Metropolitan Museum of Art

Column Capital

Unrecorded maker

41–68 CE · Sandstone

Cleared · Public Domain

live
The MetSimilar
Pax with Christ Appearing to the Apostles by Valerio Belli, The Cleveland Museum of Art

Pax with Christ Appearing to the Apostles

Valerio Belli (d. 1546)

late 1500s · Sculpture, gilt bronze in ebony frame

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Column Capital by an unrecorded maker, The Metropolitan Museum of Art

Column Capital

Unrecorded maker

41–68 CE · Sandstone

Cleared · Public Domain

live
The MetSimilar
Marble column with base and capital by an unrecorded maker, The Metropolitan Museum of Art

Marble column with base and capital

Unrecorded maker

ca. 117–138 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Capital and Bases of a Column by an unrecorded maker, The Metropolitan Museum of Art

Capital and Bases of a Column

Unrecorded maker

14th century · Marble

Cleared · Public Domain

live
The MetSimilar
Capital and Base of a Column by Sebald Beham, The Metropolitan Museum of Art

Capital and Base of a Column

Sebald Beham (d. 1550)

1543 · Engraving

Cleared · Public Domain

live
The MetSimilar
Capital and Base of a Column by Sebald Beham, The Metropolitan Museum of Art

Capital and Base of a Column

Sebald Beham (d. 1550)

1545 · Engraving

Cleared · Public Domain

live
The MetSimilar
Column Base and Capital by Henry Kellam Hancock, The Metropolitan Museum of Art

Column Base and Capital

Henry Kellam Hancock (d. 1851)

ca. 1810–30 · Cast brass, mercury, gold

Cleared · Public Domain

live
The MetSimilar
Capital of a Column with Anthemion by Alfred Henry Forrester [Alfred Crowquill], The Metropolitan Museum of Art

Capital of a Column with Anthemion

Alfred Henry Forrester [Alfred Crowquill] (d. 1872)

1845–70 · Pen and ink, brush and wash

Cleared · Public Domain

live
The MetSimilar
The Gold Capital of a Column by W. Schrader, The Metropolitan Museum of Art

The Gold Capital of a Column

W. Schrader (d. 1879)

19th century · Black ink, bodycolor and watercolor

Cleared · Public Domain

live
The MetSimilar

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