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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    297 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "The Golden Demon"6 records

Institutions answered newest-first by record, interleaved

Ravana addresses Sita in the garden of Lanka, from Chapters 53 and 54 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey) by an unrecorded maker, The Cleveland Museum of Art

Ravana addresses Sita in the garden of Lanka, from Chapters 53 and 54 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey)

Unrecorded maker

c. 1725 · Painting, Gum tempera, gold, and silver on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tiered Court Scene by Chitarman II, The Cleveland Museum of Art

Tiered Court Scene

Chitarman II (d. 1750)

c. 1735 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 12 by an unrecorded maker, The Cleveland Museum of Art

Album of Daoist and Buddhist Themes: Procession of Daoist Deities: Leaf 12

Unrecorded maker

1200s · Painting, Album; ink on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso) by an unrecorded maker, The Cleveland Museum of Art

A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso)

Unrecorded maker

c. 1710–20 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Battle of Ravana and Jatayu, from Chapters 50 and 51 of the Aranya Kanda (Book of the Forest) of Valmiki's Ramayana (Rama’s Journey); folio from the "Burnt" Ramayana by an unrecorded maker, The Cleveland Museum of Art

Battle of Ravana and Jatayu, from Chapters 50 and 51 of the Aranya Kanda (Book of the Forest) of Valmiki's Ramayana (Rama’s Journey); folio from the "Burnt" Ramayana

Unrecorded maker

c. 1605 · Painting, Gum tempera and ink on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Temptation of Saint Anthony of Egypt by an unrecorded maker, The Cleveland Museum of Art

Temptation of Saint Anthony of Egypt

Unrecorded maker

c. 1400s · Sculpture, stone

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.