
The Beech Tree of the Madonna at La Verna
Jacopo Ligozzi (d. 1627)
1605–7 · Pen and brown ink, brush and brown wash and with traces of gray wash, over black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
732 ms. The Metropolitan Museum of Art, Collection API (Open Access)
380 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,620 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Beech Tree of the Madonna at La Verna
Jacopo Ligozzi (d. 1627)
1605–7 · Pen and brown ink, brush and brown wash and with traces of gray wash, over black chalk
Cleared · Public Domain
live
Queen Adelaide's Beech
James Sinclair, 14th Earl of Caithness (d. 1881)
before 1864 · Photograph, albumen print from wet collodion negative
Cleared · CC0
live
The Great Beech (Two Farmers with their Dog)
Jacob van Ruisdael (d. 1682)
ca. 1652 · Etching; first state of three
Cleared · Public Domain
live
The Great Beech
Jacob van Ruisdael (d. 1682)
1650–82 · Etching; second state of three
Cleared · Public Domain
live
Peter the Great
Unrecorded maker
late 18th–early 19th century · Walrus ivory
Cleared · Public Domain
live
Vase
Ralph Bagnall Beech (d. 1845)
1851 · Earthenware, mother-of-pearl
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alexander the Great
Wedgwood and Bentley (d. 1780)
ca. 1779–80 · Black basalt ware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prince Rupert's House, Beech Lane, Barbican
John Thomas 'Antiquity' Smith (d. 1833)
May 1, 1800 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beech Trees in the English Garden, Munich
Johann Georg von Dillis (d. 1841)
ca. 1810 · Oil on paper, laid down on cardboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beech Tree
Achille-Etna Michallon (d. 1822)
by 1817 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Beech Tree
Thomas Eakins (d. 1916)
1881 · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Great London Tea Co. Illustrated Price and Premium List...
Great London Tea Co. (d. 1950)
1891–92 · Illustrations: wood engravings and lithographs
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.