
Whistling vessel
Maya artist(s)
400–500 CE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
276 ms. The Metropolitan Museum of Art, Collection API (Open Access)
441 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 27 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Whistling vessel
Maya artist(s)
400–500 CE · Ceramic
Cleared · Public Domain
live
Padua: The River Bacchiglione and the Porta Portello
Canaletto (Giovanni Antonio Canal) (d. 1768)
ca. 1750–60 · Pen and brown ink, gray wash
Cleared · Public Domain
live
Chickadee and Thistle
Fidelia Bridges (d. 1923)
1875 · Watercolor and gouache on paper
Cleared · Public Domain
live
The Grand Display of Fireworks and Illuminations at the Opening of the Great Suspension Bridge between New York and Brooklyn on the Evening of May 24, 1883. View from New York Looking towards Brooklyn.
Currier & Ives (d. 1907)
1883 · Color lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Map of the British Empire in America with the French and Spanish Settlements Adjacent Thereto
Henry Popple (d. 1743)
1733 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. VII
James Storer (d. 1853)
1810 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. IX
James Storer (d. 1853)
1811 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. X
James Storer (d. 1853)
1811 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Cincinnati
Henry Rhorer
1865–66 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Picturesque America, or the Land We Live In, A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes...with Illustrations on Steel and Wood by Eminent American Artists
William Cullen Bryant (d. 1878)
1872 · Illustrations: steel engraving and wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Great St. Louis Bridge, Across the Mississippi River
Currier & Ives (d. 1907)
1874 (?) · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Desk
Stickley Brothers (d. 1954)
1904 · Quarter-sawn oak, oak veneer, cedar, mahogany, brass, copper, pewter, leaded glass
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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