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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    246 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    287 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "The Guitarist"12 records

Institutions answered newest-first by record, interleaved

Guitarist by Capodimonte Porcelain Manufactory, The Metropolitan Museum of Art

Guitarist

Capodimonte Porcelain Manufactory (d. 1759)

ca. 1755–59 · Soft-paste porcelain

Cleared · Public Domain

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The MetSimilar
The Guitarist by Jean-Baptiste Pater, The Cleveland Museum of Art

The Guitarist

Jean-Baptiste Pater (d. 1736)

1720s · Drawing, red chalk

Cleared · CC0

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Cleveland Museum of ArtSimilar
Blind Guitarist by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Blind Guitarist

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1778 · Etching

Cleared · Public Domain

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The MetSimilar
The Guitarist by Édouard Manet, The Cleveland Museum of Art

The Guitarist

Édouard Manet (d. 1883)

1861 · Print, etching

Cleared · CC0

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Cleveland Museum of ArtSimilar
'Barbarous Entertainment', a blind guitarist on the horns of a bull by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

'Barbarous Entertainment', a blind guitarist on the horns of a bull

Goya (Francisco de Goya y Lucientes) (d. 1828)

1800–1804 (published 1828–67) · Etching, aquatint, drypoint on laid paper

Cleared · Public Domain

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The MetSimilar
Singing Guitarist (recto) by Honoré Daumier, The Cleveland Museum of Art

Singing Guitarist (recto)

Honoré Daumier (d. 1879)

1855–60 · Drawing, pen and black ink over charcoal

Cleared · CC0

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Cleveland Museum of ArtSimilar
Plainte Moresque by Edouard Manet, The Metropolitan Museum of Art

Plainte Moresque

Edouard Manet (d. 1883)

1866 · Lithograph

Cleared · Public Domain

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The MetSimilar
Study for "The Romancer" (Le Conteur) by Jean-Antoine Watteau, The Cleveland Museum of Art

Study for "The Romancer" (Le Conteur)

Jean-Antoine Watteau (d. 1721)

c. 1716 · Drawing, red chalk; red and black chalk (upper left figure)

Cleared · CC0

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Cleveland Museum of ArtSimilar
Plainte Moresque: Portrait of Jaime Bosch by Edouard Manet, The Metropolitan Museum of Art

Plainte Moresque: Portrait of Jaime Bosch

Edouard Manet (d. 1883)

ca. 1866 · Graphite, brush and watercolor and pink gouache, pen and brown ink

Cleared · Public Domain

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The MetSimilar
Singing Guitarist (recto); Reclining Woman Leaning on Her Arm (verso) by Honoré Daumier, The Cleveland Museum of Art

Singing Guitarist (recto); Reclining Woman Leaning on Her Arm (verso)

Honoré Daumier (d. 1879)

1855/60 · Drawing, pen and black ink over charcoal?; framing lines in red chalk

Cleared · CC0

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Cleveland Museum of ArtSimilar
Man in upstairs window pointing rifle at guitarist on street, from the Comic Powder Novelties series (N200) issued by Wm. S. Kimball & Co. by William S. Kimball & Company, The Metropolitan Museum of Art

Man in upstairs window pointing rifle at guitarist on street, from the Comic Powder Novelties series (N200) issued by Wm. S. Kimball & Co.

William S. Kimball & Company

ca. 1890 · Commercial lithograph

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Flamenco Guitar

Santos Hernández (d. 1943)

1924 · Spruce, cypress, cedar, rosewood, nickel silver, bone

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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