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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    408 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    364 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "The Hall Moor Road, Near Hingham, from ""12 records

Institutions answered newest-first by record, interleaved

Landscape with a Road Leading Towards a Settlement on a Hill by Joos de Momper the Younger, The Metropolitan Museum of Art

Landscape with a Road Leading Towards a Settlement on a Hill

Joos de Momper the Younger (d. 1635)

late 16th–mid 17th century · Pen and brown ink, blue watercolour

Cleared · Public Domain

live
The MetSimilar
Parlor from the William Moore House by an unrecorded maker, The Metropolitan Museum of Art

Parlor from the William Moore House

Unrecorded maker

ca. 1811 · Wood, composition ornament

Cleared · Public Domain

live
The MetSimilar
Draped Model by Albert Joseph Moore, The Metropolitan Museum of Art

Draped Model

Albert Joseph Moore (d. 1893)

ca. 1865–67 · Black and white chalk on brown paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Hall Moor Road, Near Hingham

John Crome (d. 1821)

1812 · Etching on chine collé; fourth state of five

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Deepham, Near Hingham

John Crome (d. 1821)

1813 · Etching on chine collé; fourth state of five

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Road Scene, Trowse Hall, Near Norwich

John Crome (d. 1821)

1813 · Etching on chine collé; third state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Road Scene, Trowse Hall, Near Norwich

John Crome (d. 1821)

1813 · Etching on chine collé; third state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Deepham, Near Hingham, from "Norfolk Picturesque Scenery"

John Crome (d. 1821)

1813–34 · Etching on chine collé; fifth state of five

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings by the Late John Crome, founder of the Norwich Society of Artists, and Printed from the Plates as Left by Himself

John Crome (d. 1821)

1834 · Etching, softground etching, drypoint, all on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Road Scene, Trowse Hall, Near Norwich, from "Norfolk Picturesque Scenery"

John Crome (d. 1821)

1834 · Etching on chine collé; second state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Hall Moor Road, near Hingham, from "Norfolk Picturesque Scenery"

John Crome (d. 1821)

1812–34 · Etching on chine collé; fourth state of five

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Hall Moor Road, Near Hingham, from "Norfolk Picturesque Scenery"

John Crome (d. 1821)

1811–34 · Etching on chine collé; fourth state of five

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.