
New York Harbor from the Battery
Thomas Thompson (d. 1852)
1829 · Lithograph with hand coloring in three panels
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
240 ms. The Metropolitan Museum of Art, Collection API (Open Access)
395 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11,353 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

New York Harbor from the Battery
Thomas Thompson (d. 1852)
1829 · Lithograph with hand coloring in three panels
Cleared · Public Domain
live
View of the Bay and Harbor of New York, from Gowanus Heights, Brooklyn
William Henry Bartlett (d. 1854)
ca. 1841 or 1852 · Watercolor and graphite on white wove paper
Cleared · Public Domain
live
The Golden State Entering New York Harbor
Fitz Henry Lane (formerly Fitz Hugh Lane) (d. 1865)
1854 · Oil on canvas
Cleared · Public Domain
live
Bay and Harbor of New York from Bedlow's Island
Edmund C. Coates (d. 1872)
1850–60 · Oil on canvas
Cleared · Public Domain
live
Evening, New York Harbor
Henry Farrer (d. 1903)
1884 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of New York Harbor from the Battery
William Wade (d. 1852)
1843 · Brown wash with white gouache and black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Summer Scenes in New York Harbor
Parsons & Atwater (d. 1900)
1869 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Harbor, New York
Charles Richard Parsons (d. 1918)
1868–94 · Lithograph, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York From the Harbor
Charles Frederick Mielatz (d. 1919)
1905 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York Harbor from the Jersey Shore
Léon Dabo (d. 1960)
ca. 1907 · Pastel on tan paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York Harbor
Allen Tucker (d. 1939)
ca. 1920 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York Harbor
George Grosz (d. 1959)
1936 · Watercolor and ink on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.