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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    305 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    422 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9,683 matching records exist across the two collections.

Results for "The Harbours of England"12 records

Institutions answered newest-first by record, interleaved

[86 Stereographic Views of The International Exhibition of 1862] by William England, The Metropolitan Museum of Art

[86 Stereographic Views of The International Exhibition of 1862]

William England (d. 1896)

1862 · Albumen silver prints from glass negatives with applied color

Cleared · Public Domain

live
The MetSimilar
Two Guinea Piece: George III (obverse); Shield of Arms (reverse) by John Sigismund Tanner, The Cleveland Museum of Art

Two Guinea Piece: George III (obverse); Shield of Arms (reverse)

John Sigismund Tanner (d. 1775)

1773 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Map of the British Empire in America with the French and Spanish Settlements Adjacent Thereto

Henry Popple (d. 1743)

1733 · Etching and engraving

In copyright

live
The MetSimilar
Harbour, Swansea, Wales by Alfred Rosling, The Cleveland Museum of Art

Harbour, Swansea, Wales

Alfred Rosling

1855 · Photograph, albumen print from wax paper negative

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Particular Draughts and Plans of Some of the Principal Towns and Harbours Belonging to the English, French, and Spaniards, in America and West Indies

Emanuel Bowen (d. 1767)

1747 · Engraving and etching

In copyright

live
The MetSimilar
Morning Haze in Chichester Harbor by Frank Short, The Cleveland Museum of Art

Morning Haze in Chichester Harbor

Frank Short (d. 1945)

1922 · Print, aquatint

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scarborough

Thomas Goff Lupton (d. 1873)

1826 · Mezzotint; engraver's proof on chine collé

In copyright

live
The MetSimilar
Overmantel Mirror by James Pascall, The Cleveland Museum of Art

Overmantel Mirror

James Pascall (d. 1746)

c. 1740 · Furniture and woodwork, carved giltwood and glass

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scarborough

Thomas Goff Lupton (d. 1873)

1826 · Mezzotint; engraver's proof on chine collé

In copyright

live
The MetSimilar
Untitled (General view of Hong Kong from the Scandal Point looking west) by William Pryor Floyd, The Cleveland Museum of Art

Untitled (General view of Hong Kong from the Scandal Point looking west)

William Pryor Floyd (d. 1900)

1866–73 · Photograph, albumen print

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ramsgate

Thomas Goff Lupton (d. 1873)

1827 · Mezzotint on chine collé; engraver's proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ramsgate

Thomas Goff Lupton (d. 1873)

May 1, 1827 · Mezzotint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.