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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    743 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    378 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,189 matching records exist across the two collections.

Results for "The Harvesters, illustration to "The Lea"12 records

Institutions answered newest-first by record, interleaved

The Harvesters by Pieter Bruegel the Elder, The Metropolitan Museum of Art

The Harvesters

Pieter Bruegel the Elder (d. 1569)

1565 · Oil on oak

Cleared · Public Domain

live
The MetSimilar
Vinaigrette by William Lea & Co., The Metropolitan Museum of Art

Vinaigrette

William Lea & Co.

1816 · Silver gilt

Cleared · Public Domain

live
The MetSimilar
Illustration to the Tempest: Caliban, Ferdinand and Ariel by Henry Courtney Selous, The Metropolitan Museum of Art

Illustration to the Tempest: Caliban, Ferdinand and Ariel

Henry Courtney Selous (d. 1890)

1836 · Graphite and pen and red ink

Cleared · Public Domain

live
The MetSimilar
Illustration to the Tempest: Caliban, Ferdinand and Ariel by Charles Gray, The Metropolitan Museum of Art

Illustration to the Tempest: Caliban, Ferdinand and Ariel

Charles Gray (d. 1845)

1836 · Etching

Cleared · Public Domain

live
The MetSimilar
Illustration to the poem “The Flower’s Revenge” (Der Blumen Rache – Ferdinand Freiligrath) by Eugen Neureuther, The Metropolitan Museum of Art

Illustration to the poem “The Flower’s Revenge” (Der Blumen Rache – Ferdinand Freiligrath)

Eugen Neureuther (d. 1882)

1852 · Etching

Cleared · Public Domain

live
The MetSimilar
The Harvesters, illustration to "The Leather Bottèl" by Edwin Austin Abbey, The Metropolitan Museum of Art

The Harvesters, illustration to "The Leather Bottèl"

Edwin Austin Abbey (d. 1911)

1887 · Pen and ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustration to "The Sylph"

William Sharp (d. 1824)

January 1, 1788 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustration to "The Sylph"

William Sharp (d. 1824)

January 1, 1788 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Madge Kendal

Anna Lea Merritt (d. 1930)

ca. 1880 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Harvesters, from the album "Les Bretonneries"

Emile Bernard (d. 1941)

1889 · Hand-colored zincograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustration to "Beneath the Wrinkle"

Clarence H. White (d. 1925)

1903 · Platinum print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustration

Unrecorded maker

1940–49 · paper, gouache, ink

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.