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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    117 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "The Haunted House (No. 7 in "Passages fr"10 records

Institutions answered newest-first by record, interleaved

Deity face pendant by an unrecorded maker, The Metropolitan Museum of Art

Deity face pendant

Unrecorded maker

7th–9th century · Jadeite or omphacite, iron ochre

Cleared · Public Domain

live
The MetSimilar
Pair of earflare frontals by Maya artist(s), The Metropolitan Museum of Art

Pair of earflare frontals

Maya artist(s)

200–600 CE · Jade (jadeite)

Cleared · Public Domain

live
The MetSimilar
Earflare by an unrecorded maker, The Metropolitan Museum of Art

Earflare

Unrecorded maker

3rd–9th century · Jade

Cleared · Public Domain

live
The MetSimilar
Earflare by an unrecorded maker, The Metropolitan Museum of Art

Earflare

Unrecorded maker

3rd–9th century · Jade

Cleared · Public Domain

live
The MetSimilar
Earflare Set by an unrecorded maker, The Metropolitan Museum of Art

Earflare Set

Unrecorded maker

3rd–9th century · Jade

Cleared · Public Domain

live
The MetSimilar
Earflare Set by an unrecorded maker, The Metropolitan Museum of Art

Earflare Set

Unrecorded maker

3rd–9th century · Jade

Cleared · Public Domain

live
The MetSimilar
Andromeda and the Sea Monster by Domenico Guidi, The Metropolitan Museum of Art

Andromeda and the Sea Monster

Domenico Guidi (d. 1701)

1694 · Marble

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Haunted House (No. 6 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")

John Wright Oakes (d. 1887)

1858 · Etching on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Haunted House (No. 7 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")

Simeon Solomon (d. 1905)

1858 · Etching on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Haunted House (No. 8 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")

John Wright Oakes (d. 1887)

1858 · Etching on chine collé

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.