
Deity face pendant
Unrecorded maker
7th–9th century · Jadeite or omphacite, iron ochre
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
117 ms. The Metropolitan Museum of Art, Collection API (Open Access)
319 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Deity face pendant
Unrecorded maker
7th–9th century · Jadeite or omphacite, iron ochre
Cleared · Public Domain
live
Pair of earflare frontals
Maya artist(s)
200–600 CE · Jade (jadeite)
Cleared · Public Domain
liveEarflare
Unrecorded maker
3rd–9th century · Jade
Cleared · Public Domain
liveEarflare
Unrecorded maker
3rd–9th century · Jade
Cleared · Public Domain
live
Earflare Set
Unrecorded maker
3rd–9th century · Jade
Cleared · Public Domain
liveEarflare Set
Unrecorded maker
3rd–9th century · Jade
Cleared · Public Domain
live
Andromeda and the Sea Monster
Domenico Guidi (d. 1701)
1694 · Marble
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Haunted House (No. 6 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
John Wright Oakes (d. 1887)
1858 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Haunted House (No. 7 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Simeon Solomon (d. 1905)
1858 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Haunted House (No. 8 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
John Wright Oakes (d. 1887)
1858 · Etching on chine collé
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.