Richmond Palace
Wenceslaus Hollar (d. 1677)
1638 · Etching, only state, a copy of NH 259 made by Hollar himself
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
412 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
485 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Results for "The Hay Barge, and the Thames at Barnes"12 records
Institutions answered newest-first by record, interleaved
Palatium Archiepiscopi Cantuariensis propae Londinum vulgo Lambeth House (Lambeth House: Palace of the Archbishop of Canterbury, London)
Wenceslaus Hollar (d. 1677)
1647 · Etching; second state of three
Cleared · Public Domain
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Millbank
James McNeill Whistler (d. 1903)
1861 · Etching and drypoint, printed in black ink on ivory laid Japan; fifth state of five
Cleared · Public Domain
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Barges at Pontoise
Camille Pissarro (d. 1903)
1876 · Oil on canvas
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Mr. Jacob Tonson
John Faber, the Younger (d. 1756)
1733 · Mezzotint
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Procession of the Parish of St. Saviour Southwark and Lightermen & Watermen on the 3rd October, 1820
Francis Vincent (d. 1840)
December 1820 · Aquatint, hand-colored
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sunset on the Thames (Coucher de Soleil sur la Tamise)
Sir Francis Seymour Haden (d. 1910)
1865 · Etching and drypoint; second state of two (Harrington); fifth state of seven (Schneiderman)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Hay Barge, and the Thames at Barnes
Sir Francis Seymour Haden (d. 1910)
1865 · Etching with drypoint; trial proof a (Harrington); first state of two (Schneiderman)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Samuel John Carter (d. 1892)
1871–75 · Illustrations: wood engravings and color lithographs
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening Harbor Scene with Bridge (Mist on the Thames), from "L'Estampe Originale"
Joseph Pennell (d. 1926)
October–December 1894 · Etching and aquatint, printed in dark gray ink
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tithe Barn, Great Cokkeswell, Interior
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
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