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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    338 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    439 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 168 matching records exist across the two collections.

Results for "The Haystack"12 records

Institutions answered newest-first by record, interleaved

The Straw Yard, part II, plate 7 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

The Straw Yard, part II, plate 7 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

February 20, 1808 · Etching, mezzotint, and drypoint; first state of four

Cleared · Public Domain

live
The MetSimilar
End of the Harvest by Charles Angrand, The Cleveland Museum of Art

End of the Harvest

Charles Angrand (d. 1926)

c. 1892–1905 · Drawing, charcoal on cream laid paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Haystack by William Henry Fox Talbot, The Metropolitan Museum of Art

The Haystack

William Henry Fox Talbot (d. 1877)

probably 1841 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Les Bretonneries: Breton Women Making Haystacks (Bretonnes Faisant les Foins) by Émile Bernard, The Cleveland Museum of Art

Les Bretonneries: Breton Women Making Haystacks (Bretonnes Faisant les Foins)

Émile Bernard (d. 1941)

1889, printed 1896 · Print, zincograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Franconia Notch, New Hampshire by William Trost Richards, The Metropolitan Museum of Art

Franconia Notch, New Hampshire

William Trost Richards (d. 1905)

1872 · Watercolor, gouache, and graphite on light tan wove paper

Cleared · Public Domain

live
The MetSimilar
Les Bretonneries: Breton Women Making Haystacks (Bretonnes Faisant les Foins) and Wedding in Brittany (La Noce en Bretange) by Émile Bernard, The Cleveland Museum of Art

Les Bretonneries: Breton Women Making Haystacks (Bretonnes Faisant les Foins) and Wedding in Brittany (La Noce en Bretange)

Émile Bernard (d. 1941)

1889, printed 1896 · Print, zincograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Haystacks: Autumn by Jean-François Millet, The Metropolitan Museum of Art

Haystacks: Autumn

Jean-François Millet (d. 1875)

ca. 1874 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Moonrise at Sunset by Dwight William Tryon, The Metropolitan Museum of Art

Moonrise at Sunset

Dwight William Tryon (d. 1925)

1890 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Haystacks, Morning, Eragny by Camille Pissarro, The Metropolitan Museum of Art

Haystacks, Morning, Eragny

Camille Pissarro (d. 1903)

1899 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Winter Morning by Currier & Ives, The Metropolitan Museum of Art

Winter Morning

Currier & Ives (d. 1907)

1857–1907 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Power of Drink

Thomas Rowlandson (d. 1827)

1770–1827 · Pen and gray and brown ink, watercolor, over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Farm-Yard in Winter

George Henry Durrie (d. 1863)

1861 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.