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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    238 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    414 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5,412 matching records exist across the two collections.

Results for "The Horse Guards"12 records

Institutions answered newest-first by record, interleaved

Terracotta amphora (jar) by The Horse-Head Amphorae, The Metropolitan Museum of Art

Terracotta amphora (jar)

The Horse-Head Amphorae

ca. 600 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Half-Suit of Armor for the Field by an unrecorded maker, The Cleveland Museum of Art

Half-Suit of Armor for the Field

Unrecorded maker

c. 1575 · Arms and Armor, steel with etched decorative bands and roundels

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crinet Plate (Neck Defense) for Ceremonial Horse Armor by an unrecorded maker, The Metropolitan Museum of Art

Crinet Plate (Neck Defense) for Ceremonial Horse Armor

Unrecorded maker

15th–16th century · Iron, gold

Cleared · Public Domain

live
The MetSimilar
Close Helmet by an unrecorded maker, The Cleveland Museum of Art

Close Helmet

Unrecorded maker

c. 1575 · Arms and Armor, steel with etched decorative bands and roundels

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two Crinet Plates (Neck Defenses) for Ceremonial Horse Armor by an unrecorded maker, The Metropolitan Museum of Art

Two Crinet Plates (Neck Defenses) for Ceremonial Horse Armor

Unrecorded maker

15th–16th century · Iron, gold, silver

Cleared · Public Domain

live
The MetSimilar
Corsèque (Chauve-Souris) by an unrecorded maker, The Cleveland Museum of Art

Corsèque (Chauve-Souris)

Unrecorded maker

c. 1530 · Arms and Armor, steel; round wood haft with leather straps

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Project for the Riding-School of the Horse Guards in Saint Petersburg: Elevation of the Side Entrance by Giacomo Quarenghi, The Metropolitan Museum of Art

Project for the Riding-School of the Horse Guards in Saint Petersburg: Elevation of the Side Entrance

Giacomo Quarenghi (d. 1817)

1744–1817 · Pen and black ink, brush and black-gray, brown, pink, blue, and ochre wash, over ruled construction lines in graphite; framing lines in pen and black ink over graphite

Cleared · Public Domain

live
The MetSimilar
Corsèque by an unrecorded maker, The Cleveland Museum of Art

Corsèque

Unrecorded maker

c. 1520 · Arms and Armor, steel; round wood haft; tassel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Horse Guards &c. from St. James's Park by Thomas Shotter Boys, The Metropolitan Museum of Art

The Horse Guards &c. from St. James's Park

Thomas Shotter Boys (d. 1874)

1842 · Lithograph, hand-colored

Cleared · Public Domain

live
The MetSimilar
Maharana Jagat Singh Attending the Raslila by Jai Ram, The Cleveland Museum of Art

Maharana Jagat Singh Attending the Raslila

Jai Ram

1736 · Painting, Gum tempera, gold, and silver on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Terracotta amphora (storage jar)

The Horse-Head Amphorae

ca. 560–550 BCE · Terracotta

In copyright

live
The MetSimilar
Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025) by an unrecorded maker, The Cleveland Museum of Art

Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025)

Unrecorded maker

1444 · Manuscript, Opaque watercolor, ink, gold, and silver on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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