
Portrait of Isabella Clara Eugenia, Infanta of Spain
Pieter de Jode II (d. 1674)
ca. 1650 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1021 ms. The Metropolitan Museum of Art, Collection API (Open Access)
319 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 942 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Portrait of Isabella Clara Eugenia, Infanta of Spain
Pieter de Jode II (d. 1674)
ca. 1650 · Engraving
Cleared · Public Domain
live
The Infanta Donna Isabella, Governante of Flanders
Johann Sebastian Müller (d. 1790)
1767 · Mezzotint
Cleared · Public Domain
live
The Infanta Margarita, after Velázquez
Edgar Degas (d. 1917)
ca. 1861–62 · Etching and drypoint; second state of two (only known impression)
Cleared · Public Domain
live
The Infanta Marguerita
Edouard Manet (d. 1883)
ca. 1861–62; 1905 edition · Etching on blue laid paper; only state
Cleared · Public Domain
live
The Infanta
Jean-Joseph Carriès (d. 1894)
ca. 1890–94 · Glazed stoneware
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Infanta"
Charles James (d. 1978)
1950 · silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Infanta"
Charles James (d. 1978)
1957 · silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Infanta"
Charles James (d. 1978)
1957 · silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Infanta"
Charles James (d. 1978)
1958 · synthetic, cotton, paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Infanta"
Charles James (d. 1978)
ca. 1959 · silk, cotton
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
(Velazquez - Infanta 3 yrs)
Ted Joans (d. 2003)
1990 · Cut and pasted printed papers on postcard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
(Velazquez - Infanta Margarita)
Ted Joans (d. 2003)
1990 · Cut and pasted printed papers on postcard
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.