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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    619 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    829 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 85 matching records exist across the two collections.

Results for "The Innocent Eye Test"12 records

Institutions answered newest-first by record, interleaved

Hotei with a Child by Ono no Ozū (Ono no Tsū), The Metropolitan Museum of Art

Hotei with a Child

Ono no Ozū (Ono no Tsū) (d. 1631)

1624 · Hanging scroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
Pope Innocent X by Alessandro Algardi, The Metropolitan Museum of Art

Pope Innocent X

Alessandro Algardi (d. 1654)

ca. 1690 · Bronze, on a later plinth

Cleared · Public Domain

live
The MetSimilar
Shoes by an unrecorded maker, The Metropolitan Museum of Art

Shoes

Unrecorded maker

1840–49 · leather

Cleared · Public Domain

live
The MetSimilar
"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2) by Théodore Chassériau, The Metropolitan Museum of Art

"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2)

Théodore Chassériau (d. 1856)

etched 1844, reprinted 1900 · Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Harper's Bazaar Cover Maquette]

Lillian Bassman (d. 2012)

1949 · Gelatin silver print with collaged elements and applied media

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Harper's Bazaar Cover Maquette]

Lillian Bassman (d. 2012)

1949 · Gelatin silver print with collaged elements and applied media

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Harper's Bazaar Cover Maquette]

Lillian Bassman (d. 2012)

1949 · Gelatin silver print with collaged elements and applied media

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Harper’s Bazaar Cover Maquette]

Lillian Bassman (d. 2012)

1949 · Gelatin silver print with collaged elements and applied media

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Atomic Bomb Explosion]

Harold Edgerton (d. 1990)

1946–52 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Associated Press Wire Photo of John Kennedy Jr. Saluting His Father's Casket]

Unknown

November 25, 1963 · Electrolytic facsimile print from wire transmission

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Innocent Eye Test

Mark Tansey (d. 9999)

1981 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Derek Jarman

Richard Hamilton (d. 2011)

1996–97 · Color pigment transfer print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.