
Interior of a Gothic Church at Night
Pieter Neeffs the Elder (d. 1661)
probably ca. 1635–40 · Oil on copper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
333 ms. The Metropolitan Museum of Art, Collection API (Open Access)
307 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 892 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Interior of a Gothic Church at Night
Pieter Neeffs the Elder (d. 1661)
probably ca. 1635–40 · Oil on copper
Cleared · Public Domain
live
Interior of a Gothic Church by Day
Pieter Neeffs the Elder (d. 1661)
probably ca. 1635–40 · Oil on copper
Cleared · Public Domain
live
Interior view of the Enfants Trouvés
Etienne Fessard (d. 1777)
1759 · Etching
Cleared · Public Domain
live
View of the Interior of Simon Ward Alias St Brewer Church Cornwall
Thomas Rowlandson (d. 1827)
April 1806 · Hand-colored etching
Cleared · Public Domain
live
Interior of the Church of Valmont Abbey
Eugène Delacroix (d. 1863)
1829–31 · Brown and gray wash over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Hand-colored Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Interior View of the Floating Church of Our Saviour for Seamen, New York
Louis Nagel (d. 1870)
1844 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Interior View of the Floating Church of Our Saviour for Seamen, New York
Louis Nagel (d. 1870)
1844 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior of St. Bernard's Church, West 14th Street, New York City
The Graphic Company (d. 1900)
ca. 1875 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Interior, Church of the Nativity, Bethlehem]
Unknown
1910s · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.