
Jupiter Fighting the Giants
Jacopo Zucchi (d. 1596)
1540–96 · Pen and brown ink, brush with brown and mauve wash, highlighted with white gouache, over traces of black chalk, on light tan laid paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
201 ms. The Metropolitan Museum of Art, Collection API (Open Access)
317 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 46 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Jupiter Fighting the Giants
Jacopo Zucchi (d. 1596)
1540–96 · Pen and brown ink, brush with brown and mauve wash, highlighted with white gouache, over traces of black chalk, on light tan laid paper
Cleared · Public Domain
live
The Golden Age
Joachim Wtewael (d. 1638)
1605 · Oil on copper
Cleared · Public Domain
live
The Fall of the Giants
Salvator Rosa (d. 1673)
1663 · Etching with drypoint
Cleared · Public Domain
live
Landscape with Figures (Les Bohémiens)
Camille Corot (d. 1875)
1872 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Allegory of the Iron Age, from Ovid's "Metamorphoses", Book I
Anonymous, Netherlandish, 17th century (d. 1700)
1589 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5: The Age of Iron (Aetas ferrea), from Ovid's 'Metamorphoses'
Antonio Tempesta (d. 1630)
1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Age of Iron (Aetas ferrea), plate 5 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta (d. 1630)
Published after 1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Golden Age, from "Les Metamorphoses d'Ovide..."
Wilbrod-Nicolas-Magloire Courbe (d. 1807)
1804 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Silver Age, from "Les Metamorphoses d'Ovide..."
George Malbeste (d. 1843)
1804 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Iron Age, from "Les Metamorphoses d'Ovide..."
Jean Dambrun (d. 1808)
1805 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Iron Age, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Jean Dambrun (d. 1808)
1805 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Bronze Age, from "Les Metamorphoses d'Ovide..."
Robert de Launay (d. 1814)
published 1806–22 · Etching and engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.