Fragment of an Icon with Scenes from the Life of Christ
Unrecorded maker
12th century · Steatite
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
224 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
294 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Results for "The Kiss of Judas, from "The Large Passi"12 records
Institutions answered newest-first by record, interleaved
Relief of the Betrayal and Arrest of Jesus
Unrecorded maker
1264–88 · Limestone with traces of polychromy and gilding
Cleared · Public Domain
liveThe MetSimilar
Diptych with Scenes from the Passion of Jesus
Unrecorded maker
ca. 1350–75 · Elephant ivory with metal mounts
Cleared · Public Domain
liveThe MetSimilar
Hector of Troy (?) (from the Heroes Tapestries)
Unrecorded maker
ca. 1400–1410 · Wool warp, wool wefts
Cleared · Public Domain
liveThe MetSimilar
Joshua and David (from the Heroes Tapestries)
Unrecorded maker
ca. 1400–1410 · Wool warp, wool wefts
Cleared · Public Domain
liveThe MetSimilar
Julius Caesar (from the Heroes Tapestries)
Unrecorded maker
ca. 1400–1410 · Wool warp, wool wefts
Cleared · Public Domain
liveThe MetSimilar
Altarpiece (retablo) with Scenes from the Passion
Master Morata (d. 1505)
second half 15th century · Tempera and gold on wood
Cleared · Public Domain
liveThe MetSimilar
Three Fragments of a Passion Frieze: The Kiss of Judas, Christ before Pilate, and the Flagellation; The Crucifixion and the Descent from the Cross; The Entombment and the Resurrection
Anonymous, French, Amiens, 15th century (d. 1500)
probably 1460–69 · Hand-colored woodcut
Cleared · Public Domain
liveThe MetSimilar
Panel with the Kiss of Judas
Unrecorded maker
early 16th century · Oak
Cleared · Public Domain
liveThe MetSimilar
The Last Supper
Bernard van Orley (d. 1542)
ca. 1525–28 · Wool, silk, silver-gilt thread.
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Kiss of Judas, from "The Large Passion"
Jacob Cornelisz van Oostsanen (d. 1533)
1512 · Woodcut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Trinity of Scoundrels (or the Shameless Trinity), from "El Machete"
David Alfaro Siqueiros (d. 1974)
1924 · Woodcut and letterpress
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.