Milton's Comus
Sir Joseph Noël Paton (d. 1901)
1842–48 · Pen and ink, brush and brown wash, touches of white gouache (bodycolor), on brown paper
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
142 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
385 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Results for "The Lady in Milton's "Comus""8 records
Institutions answered newest-first by record, interleaved
Sabrina
Samuel Palmer (d. 1881)
1856 · Watercolor and gouache (bodycolor) over graphite, with reductive techniques, shell gold and gum arabic
Cleared · Public Domain
liveThe MetSimilar
Compositional Study for "Comus–The Measure" (recto); Studies of a Man's Right Leg, after Titian, and a Profile, for "Comus–The Measure" (verso)
George Richmond (d. 1896)
before 1864 · Black chalk
Cleared · Public Domain
liveThe MetSimilar
Study for a male figure in "Comus–The Measure" (recto); Reclining male nude (verso)
George Richmond (d. 1896)
before 1864 · Black chalk
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lady in Milton's "Comus"
John Raphael Smith (d. 1812)
February 30, 1789 · Mezzotint; second state of four
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Comus. A Mask
John Milton (d. 1674)
1858 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rout, or Defeat, of Comus and his Band (John Milton's "Comus, a Masque")
Sir Edwin Henry Landseer (d. 1873)
1868 · Mixed method engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rout, or Defeat, of Comus and his Band (John Milton's "Comus, a Masque")
Sir Edwin Henry Landseer (d. 1873)
June 1, 1868 · Mixed method engraving on chine collé; proof before title
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.