
The Lady Guldeforde (Mary Wotton, Lady Guildford)
Wenceslaus Hollar (d. 1677)
1647 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1447 ms. The Metropolitan Museum of Art, Collection API (Open Access)
401 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,179 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Lady Guldeforde (Mary Wotton, Lady Guildford)
Wenceslaus Hollar (d. 1677)
1647 · Etching; second state of two
Cleared · Public Domain
live
Landscape with hills and a lake
William Gilpin (d. 1804)
ca. 1772 · Pen and black ink, brush and gray wash, on buff paper
Cleared · Public Domain
live
The Lake of Zug
Joseph Mallord William Turner (d. 1851)
1843 · Watercolor and bodycolor (gouache) with reductive techniques over graphite
Cleared · Public Domain
live
Loch Katrine Pier, Scene of the Lady of the Lake
William Henry Fox Talbot (d. 1877)
October 1844 · Salted paper print from paper negative
Cleared · Public Domain
live
House post figure
Lake Sentani artist
19th century · Wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lady Guldeforde (Mary Wotton, Lady Guildford)
Wenceslaus Hollar (d. 1677)
1647 · Etching, second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lady Catherine Powlet, daughter of his Grace the Duke of Bolton
John Raphael Smith (d. 1812)
December 1, 1786 · Mezzotint; fourth state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lady of the Lake. With All His Introductions, Various Readings, and the Editor's Notes
George Washington Wilson (d. 1893)
1860s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Chap-Book: Poet and His Lady
William Henry Bradley (d. 1962)
1895 · Letterpress (relief process); with graphite additions
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lady of the Lake. With All His Introductions, Various Readings and the Editor's Notes
George Washington Wilson (d. 1893)
1890s · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
House post
Lake Sentani artist
19th–20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lady of the Lake
Horace Pippin (d. 1946)
ca. 1936–39 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.