
Noon
David Lucas (d. 1881)
1830 · Mezzotint on chine collé; lettered proof, first state of six
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
589 ms. The Metropolitan Museum of Art, Collection API (Open Access)
279 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 260 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Noon
David Lucas (d. 1881)
1830 · Mezzotint on chine collé; lettered proof, first state of six
Cleared · Public Domain
live
The Lagoon, Noon
James McNeill Whistler (d. 1903)
1879–80 · Print, etching
Cleared · CC0
live
Noon
David Lucas (d. 1881)
1830 · Mezzotint on chine collé; progress proof
Cleared · Public Domain
live
Lagoon: Noon
James McNeill Whistler (d. 1903)
1880 · Etching and drypoint, printed in black ink on medium weight ivory laid paper; third state of three (Glasgow)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Noon
Richard Houston (d. 1775)
1758 · Mezzotint with some etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Farmer's Noon
Samuel William Reynolds, the elder (d. 1835)
1790–1800 · Mezzotint, hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Noon
Max Mougel (d. 1988)
1935–43 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Noon
Paul Weller (d. 2012)
1935–43 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Noon
Georges L. Schreiber (d. 1977)
ca. 1942 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eleven Beads
Baule or Lagoon artist
19th–mid-20th century · Gold-copper alloy
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Snake Pendant
Baule or Lagoon artist
19th–mid-20th century · Gold
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bead
Baule or Lagoon artist
19th–mid-20th century · Gold
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.