Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    236 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 196 matching records exist across the two collections.

Results for "The Landing of the "Pilgim Fathers" at P"11 records

Institutions answered newest-first by record, interleaved

Owl Staff Head by an unrecorded maker, The Metropolitan Museum of Art

Owl Staff Head

Unrecorded maker

1–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair) by Vincenzo Grandi, The Metropolitan Museum of Art

Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair)

Vincenzo Grandi (d. 1578)

mid-16th century · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar
Mercury and Cupid by Francesco Fanelli, The Metropolitan Museum of Art

Mercury and Cupid

Francesco Fanelli (d. 1665)

late 1630s · Bronze

Cleared · Public Domain

live
The MetSimilar
Pocket watch by Robert Roskell, The Metropolitan Museum of Art

Pocket watch

Robert Roskell (d. 1830)

1820–21 · Case: gold; Dial: gold with gold and steel hands; Movement: partly gilded brass, partly blued steel, and diamond

Cleared · Public Domain

live
The MetSimilar
Pendant with Saint Anthony of Padua by Kongo artist, The Metropolitan Museum of Art

Pendant with Saint Anthony of Padua

Kongo artist

16th–19th century · Partially hollow cast brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Representation of the Balloon, Immediately Preceding its Ascension from the Village of Seal, Near Sevenoaks, in Kent, the 23rd of August 1825 at 6 p.m.

William Gauci (d. 1854)

May 1826 · Color lithograph with hand coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Comus. A Mask

John Milton (d. 1674)

1858 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Landing of the "Pilgim Fathers" at Plymouth Rock, Massachusetts, 1620

J. E. Ellis (d. 9999)

1870 · Silver

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Picturesque America, or the Land We Live In, A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes...with Illustrations on Steel and Wood by Eminent American Artists

William Cullen Bryant (d. 1878)

1872 · Illustrations: steel engraving and wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Samuel John Carter (d. 1892)

1871–75 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Antelope (probably the roan antelope, dajè) headdress

Bamana numu (blacksmith)

late 19th–mid-20th century · Wood, pigment, metal

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.