
Sarcophagus Lid with Last Judgement
Unrecorded maker
late 3rd–early 4th century (?) · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2140 ms. The Metropolitan Museum of Art, Collection API (Open Access)
428 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 82 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Sarcophagus Lid with Last Judgement
Unrecorded maker
late 3rd–early 4th century (?) · Marble
Cleared · Public Domain
live
The Last Judgment, from The Passion of Christ, plate 32
Grégoire Huret (d. 1670)
1664 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Clothing the Naked, from The Last Judgement and the Six Works of Mercy, plate 5
Dirck Volckertsz Coornhert (d. 1590)
1552 · Engraving and Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Feeding the Hungry, from The Last Judgement and the Six Works of Mercy, plate 2
Dirck Volckertsz Coornhert (d. 1590)
1552 · Engraving and Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Giving the Thirsty to Drink, from The Last Judgement and the Six Works of Mercy, plate 3
Dirck Volckertsz Coornhert (d. 1590)
1552 · Engraving and Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sheltering the Strangers, from The Last Judgement and the Six Works of Mercy, plate 4
Dirck Volckertsz Coornhert (d. 1590)
1552 · Engraving and Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Judgement, from The Last Judgement and the Six Works of Mercy, plate 1
Dirck Volckertsz Coornhert (d. 1590)
1552 · Engraving and Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Visiting the Imprisoned, from The Last Judgement and the Six Works of Mercy, plate 7
Dirck Volckertsz Coornhert (d. 1590)
1552 · Engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Visiting the Sick, from The Last Judgement and the Six Works of Mercy, plate 6
Dirck Volckertsz Coornhert (d. 1590)
1552 · Engraving and Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Judgement, from The Cycle of the Vicissitudes of Human Affairs, plate 9
Cornelis Cort (d. 1578)
1564 · Engraving; first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Judgement, from The Four Last Things, plate 2
Philips Galle (d. 1612)
1569 · Engraving; first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Michelangelo's Last Judgement from the ceiling of the Sistine Chapel, Rome
Nicola La Volpe (d. 1876)
ca. 1840–70 · Etching on chine collé
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.