Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    214 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    275 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 763 matching records exist across the two collections.

Results for "The Last Judgement, from The Four Last T"12 records

Institutions answered newest-first by record, interleaved

Sarcophagus Lid with Last Judgement by an unrecorded maker, The Metropolitan Museum of Art

Sarcophagus Lid with Last Judgement

Unrecorded maker

late 3rd–early 4th century (?) · Marble

Cleared · Public Domain

live
The MetSimilar
The Last Judgment, from "The Small Passion" by Albrecht Dürer, The Metropolitan Museum of Art

The Last Judgment, from "The Small Passion"

Albrecht Dürer (d. 1528)

ca. 1510 · Woodcut

Cleared · Public Domain

live
The MetSimilar
The Last Judgment, from "The Small Passion" by Albrecht Dürer, The Metropolitan Museum of Art

The Last Judgment, from "The Small Passion"

Albrecht Dürer (d. 1528)

ca. 1510 · Woodcut

Cleared · Public Domain

live
The MetSimilar
The Last Supper by Bernard van Orley, The Metropolitan Museum of Art

The Last Supper

Bernard van Orley (d. 1542)

ca. 1525–28 · Wool, silk, silver-gilt thread.

Cleared · Public Domain

live
The MetSimilar
The Last Judgment from the Sistine Chapel by Giulio Bonasone, The Metropolitan Museum of Art

The Last Judgment from the Sistine Chapel

Giulio Bonasone (d. 1576)

1546–50 · Engraving; third state of five

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Judgement, from The Last Judgement and the Six Works of Mercy, plate 1

Dirck Volckertsz Coornhert (d. 1590)

1552 · Engraving and Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Judgement, from The Cycle of the Vicissitudes of Human Affairs, plate 9

Cornelis Cort (d. 1578)

1564 · Engraving; first state of three (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Judgement, from The Four Last Things, plate 2

Philips Galle (d. 1612)

1569 · Engraving; first state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Judgement

Martino Rota (d. 1583)

1576 · Engraving (impression from an unfinished plate), parts in outline only

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled object 367566

Dirck Barendsz. (d. 1592)

ca. 1581–82 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Judgment, from "The Four Last Things"

Jan (Johannes) Wierix (d. 1615)

mid-16th–early 17th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Michelangelo's Last Judgement from the ceiling of the Sistine Chapel, Rome

Nicola La Volpe (d. 1876)

ca. 1840–70 · Etching on chine collé

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.