Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    556 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,247 matching records exist across the two collections.

Results for "The Last Judgment; The Virgin and Child"12 records

Institutions answered newest-first by record, interleaved

Diptych with the Coronation of the Virgin and the Last Judgment by an unrecorded maker, The Metropolitan Museum of Art

Diptych with the Coronation of the Virgin and the Last Judgment

Unrecorded maker

ca. 1260–70 · Elephant ivory, with metal mounts

Cleared · Public Domain

live
The MetSimilar
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?) by Battista Franco, The Cleveland Museum of Art

Virgin and Child with St. Catherine of Alexandria and Saint Anne (?)

Battista Franco (d. 1561)

c. 1545 · Drawing, pen and brown ink and brush and brown wash with red chalk underdrawing, heightened with white gouache (partially tarnished); pricked (lower part of Virgin)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Last Judgment; The Virgin and Child with a Bishop-Saint and Saint Peter Martyr; The Crucifixion; The Glorification of Saint Thomas Aquinas; The Nativity by Master of the Dominican Effigies, The Metropolitan Museum of Art

The Last Judgment; The Virgin and Child with a Bishop-Saint and Saint Peter Martyr; The Crucifixion; The Glorification of Saint Thomas Aquinas; The Nativity

Master of the Dominican Effigies (d. 1355)

ca. 1325 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with the Last Judgment, from a Book of Hours by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with the Last Judgment, from a Book of Hours

Unrecorded maker

ca. 1400 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Pendant Medallion with the Last Judgment by an unrecorded maker, The Metropolitan Museum of Art

Pendant Medallion with the Last Judgment

Unrecorded maker

ca. 1420 · Elephant ivory, paint, and gilded silver mount

Cleared · Public Domain

live
The MetSimilar
The Crucifixion; The Last Judgment by Jan van Eyck, The Metropolitan Museum of Art

The Crucifixion; The Last Judgment

Jan van Eyck (d. 1441)

ca. 1436–38 · Oil on canvas, transferred from wood

Cleared · Public Domain

live
The MetSimilar
The Virgin and Child by Andrea Mantegna, The Metropolitan Museum of Art

The Virgin and Child

Andrea Mantegna (d. 1506)

ca. 1480–85 · Engraving

Cleared · Public Domain

live
The MetSimilar
Virgin and Child by Hans Traut, The Metropolitan Museum of Art

Virgin and Child

Hans Traut (d. 1516)

1505 · Oil, gold, and silver on linden

Cleared · Public Domain

live
The MetSimilar
The Virgin and Child by Fra Bartolomeo (Bartolomeo di Paolo del Fattorino), The Metropolitan Museum of Art

The Virgin and Child

Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (d. 1517)

ca. 1515–17 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Plaque with the Virgin and Child by Master of the Triptych of Louis XII, The Metropolitan Museum of Art

Plaque with the Virgin and Child

Master of the Triptych of Louis XII (d. 1525)

late 15th–early 16th century · Painted enamel, copper

Cleared · Public Domain

live
The MetSimilar
The Last Judgment by Joos van Cleve, The Metropolitan Museum of Art

The Last Judgment

Joos van Cleve (d. 1541)

ca. 1525–30 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Last Judgment by Michael Herr, The Metropolitan Museum of Art

The Last Judgment

Michael Herr (d. 1661)

ca. 1620 · Pen and black ink over red chalk

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.