
The Last Moments of Demosthenes
Jean François Janinet (d. 1814)
1791 · Etching and aquatint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
333 ms. The Metropolitan Museum of Art, Collection API (Open Access)
327 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,637 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Last Moments of Demosthenes
Jean François Janinet (d. 1814)
1791 · Etching and aquatint
Cleared · Public Domain
live
Portrait of Miss Mary Tadman
John I Smart (d. 1811)
1809 · Portrait Miniature, watercolor and graphite, heightened with traces of white gouache on paper
Cleared · CC0
live
St. John the Evangelist
John Flaxman (d. 1826)
ca. 1811 · Brush and brown wash over graphite
Cleared · Public Domain
live
The Music Lesson
John George Brown (d. 1913)
1870 · Oil on canvas
Cleared · Public Domain
live
The Last Moments of John Brown
Thomas Hovenden (d. 1895)
1882–84 · Oil on canvas
Cleared · Public Domain
live
The Last Moments of Maximilian
Jean Paul Laurens (d. 1921)
1884 · Photogravure
Cleared · Public Domain
live
L'Écurie
John-Lewis Brown (d. 1890)
19th century · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Self-interpreting Bible: containing, the sacred text of the Old and New Testaments. Translated from the original tongues, and with the former translations diligently compared and revised. To which are annexed, marginal references and illustrations...
John Brown (d. 1787)
1792 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Moments of Mary Queen of Scots
George Atkinson (d. 1869)
August 12, 1863 · Etching, engraving, stipple and mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last of England
Ford Madox Brown (d. 1893)
1875 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wounded Playfellow
John George Brown (d. 1913)
1884 · Pen and India ink (carbon) on wove paper, laid on paper board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Moments of Mozart
Armand Mathey-Doret (d. 1931)
1888 · Etching; proof
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.