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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    284 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    381 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 94 matching records exist across the two collections.

Results for "The Last Supper, after Leonardo da Vinci"12 records

Institutions answered newest-first by record, interleaved

Head of a Man in Profile Facing to the Left by Leonardo da Vinci, The Metropolitan Museum of Art

Head of a Man in Profile Facing to the Left

Leonardo da Vinci (d. 1519)

1490–94 · Pen and brown ink, over soft black chalk

Cleared · Public Domain

live
The MetSimilar
The Last Supper, with a Spaniel by Giovanni Pietro da Birago, The Metropolitan Museum of Art

The Last Supper, with a Spaniel

Giovanni Pietro da Birago (d. 1513)

ca. 1500 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Head of the Virgin in Three-Quarter View Facing Right by Leonardo da Vinci, The Metropolitan Museum of Art

The Head of the Virgin in Three-Quarter View Facing Right

Leonardo da Vinci (d. 1519)

1510–13 · Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)

Cleared · Public Domain

live
The MetSimilar
The Head of a Grotesque Man in Profile Facing Right by Leonardo da Vinci, The Metropolitan Museum of Art

The Head of a Grotesque Man in Profile Facing Right

Leonardo da Vinci (d. 1519)

after 1500 · Pen and brown ink, on off-white paper (now darkened)

Cleared · Public Domain

live
The MetSimilar
The Last Supper, after Leonardo da Vinci by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Last Supper, after Leonardo da Vinci

Rembrandt (Rembrandt van Rijn) (d. 1669)

1634–35 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Sectioned skull in profile to left with the left side of the cranium removed by Wenceslaus Hollar, The Metropolitan Museum of Art

Sectioned skull in profile to left with the left side of the cranium removed

Wenceslaus Hollar (d. 1677)

1651 · Etching; only state

Cleared · Public Domain

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The MetSimilar
Ecorche head of a man in profile to left by Wenceslaus Hollar, The Metropolitan Museum of Art

Ecorche head of a man in profile to left

Wenceslaus Hollar (d. 1677)

1660 · Etching; only state

Cleared · Public Domain

live
The MetSimilar
Bust of a deformed woman with curly hair in profile to the left by Wenceslaus Hollar, The Metropolitan Museum of Art

Bust of a deformed woman with curly hair in profile to the left

Wenceslaus Hollar (d. 1677)

1665 · Etching; only state

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three Horse Heads after Leonardo da Vinci

Leonardo da Vinci (d. 1519)

ca. 1580–1620 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Supper

Archibald L. Dick (d. 1855)

1846 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Supper

Kelloggs & Comstock (d. 1850)

1848–9 · Lithograph, hand-colored

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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