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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    415 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 150 matching records exist across the two collections.

Results for "The Last Supper and an Adulterous Woman,"12 records

Institutions answered newest-first by record, interleaved

The Last Supper by Ugolino da Siena (Ugolino di Nerio), The Metropolitan Museum of Art

The Last Supper

Ugolino da Siena (Ugolino di Nerio) (d. 1327)

ca. 1325 · Tempera and gold on wood

Cleared · Public Domain

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The MetSimilar
Panel with the Last Supper by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Last Supper

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

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The MetSimilar
The Last Supper by Bernard van Orley, The Metropolitan Museum of Art

The Last Supper

Bernard van Orley (d. 1542)

ca. 1525–28 · Wool, silk, silver-gilt thread.

Cleared · Public Domain

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The MetSimilar
The Last Supper by an unrecorded maker, The Metropolitan Museum of Art

The Last Supper

Unrecorded maker

ca. 1500–1530 · Limestone, traces of polychromy

Cleared · Public Domain

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The MetSimilar
The Last Supper by Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli), The Metropolitan Museum of Art

The Last Supper

Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli) (d. 1549)

1548 · Intarsia

Cleared · Public Domain

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The MetSimilar
The Institution of the Eucharist at the Last Supper with St. Peter and St. Paul by an unrecorded maker, The Metropolitan Museum of Art

The Institution of the Eucharist at the Last Supper with St. Peter and St. Paul

Unrecorded maker

mid-16th century · Feathers and colored paper on wood, gilt wood frame

Cleared · Public Domain

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The MetSimilar
The Last Supper by Livio Agresti da Forlì, The Metropolitan Museum of Art

The Last Supper

Livio Agresti da Forlì (d. 1580)

1582 · Copper

Cleared · Public Domain

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The MetSimilar
The Last Supper by Jan Muller, The Metropolitan Museum of Art

The Last Supper

Jan Muller (d. 1628)

1594 · Engraving printed from three plates on three sheets; New Holl.'s first state of three

Cleared · Public Domain

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The MetSimilar
The Last Supper, after Leonardo da Vinci by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Last Supper, after Leonardo da Vinci

Rembrandt (Rembrandt van Rijn) (d. 1669)

1634–35 · Red chalk

Cleared · Public Domain

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The MetSimilar
Weeping Woman Kneeling, Seen from Behind by Jacob Backer, The Metropolitan Museum of Art

Weeping Woman Kneeling, Seen from Behind

Jacob Backer (d. 1651)

ca. 1634–38 · Black chalk, heightened with white, on blue paper

Cleared · Public Domain

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[Copy of the head of Christ from Leonardo da Vinci's “The Last Supper”] by Léon Gérard, The Metropolitan Museum of Art

[Copy of the head of Christ from Leonardo da Vinci's “The Last Supper”]

Léon Gérard (d. 1896)

1857–61 · Albumen silver print from paper negative

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Last Supper and an Adulterous Woman, volume 2, plate 133 from "Monuments des Arts du Dessin"

Jacopo Tintoretto (Jacopo Robusti) (d. 1594)

1829 · Lithograph

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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