Saints John the Evangelist and Mary Magdalene
Italian, Neapolitan Follower of Giotto
ca. 1335–45 · Tempera on wood, gold ground
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
293 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
749 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10,830 matching records exist across the two collections.
Results for "The Late Follower"12 records
Institutions answered newest-first by record, interleaved
Rama and Sita in the royal palace (recto), from a Kalighat album
Shri Gobinda Chandra Roy
c. 1890 · Print, Woodcut, hand colored with gum tempera
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Adoration of the Magi
Italian, Neapolitan Follower of Giotto
ca. 1340–43 · Tempera on wood, gold ground
Cleared · Public Domain
liveThe MetSimilar
Head of a Woman
Michel Colombe (d. 1513)
c. 1500–1525 · Sculpture, marble
Cleared · CC0
liveCleveland Museum of ArtSimilar
Virgin and Child
Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century) (d. 1499)
ca. 1480–90 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
Head of a Man
Michel Colombe (d. 1513)
1520–25 · Sculpture, marble
Cleared · CC0
liveCleveland Museum of ArtSimilar
A Man Seated on a Throne
Follower of Piero della Francesca (d. 1492)
second half 15th century · Pen and brown ink, brush and brown ink, brown wash, heightened with white (partly oxidized), over traces of black chalk.
Cleared · Public Domain
liveThe MetSimilar
Dagger
Unrecorded maker
late 1600s · Arms and Armor, steel and ivory
Cleared · CC0
liveCleveland Museum of ArtSimilar
Saint Christopher
Follower of Hans Baldung Grien (d. 1574)
third quarter 16th century · Pen and black ink, brush and blackish brown and blackish gray wash, highlighted with opaque white, on reddish brown prepared paper
Cleared · Public Domain
liveThe MetSimilar
An Elderly Man in Prayer
Rembrandt van Rijn (d. 1669)
1660s or later · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Phoenix and Peacock in a Landscape
Follower of Kano Motonobu (d. 1559)
mid- to-late 16th century · Pair of six-panel folding screens; ink, color, and brushed gold on paper
Cleared · Public Domain
liveThe MetSimilar
Ewer (Pitcher) with Game, Seafood, and Wine Scenes
Unrecorded maker
late 300s CE · Metalwork, silver with traces of gilding
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.