
Armband
Huastec artist(s)
900–1300 CE · Shell
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
233 ms. The Metropolitan Museum of Art, Collection API (Open Access)
310 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 27 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Armband
Huastec artist(s)
900–1300 CE · Shell
Cleared · Public Domain
live
Armband
Huastec artist(s)
900–1300 CE · Shell
Cleared · Public Domain
live
Earflare Frontal
Huastec artist(s)
900–1300 CE · Shell, red pigment (cinnabar), iron-based metal (inlays probably pyrite)
Cleared · Public Domain
live
Saint Sebastian
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)
1566 · Bronze
Cleared · Public Domain
live
Passage from “A Modern-Day Wen Xuan: Selections of Refined Literature”
Morikawa Kyoriku (Kyoroku) 森川許六 (d. 1715)
after 1705 · Hanging scroll; ink on paper
Cleared · Public Domain
live
Female figure from an obu (house of images)
Igbo artist
Late 19th century · Wood, pigment
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lee-Shore (No. 14 "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Charles Samuel Keene (d. 1891)
1858 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lee-Shore (No. 15 "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")
Francis Powell (d. 1914)
1858 · Aquatint and etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Mason Jackson (d. 1903)
1865–70 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Jabez Hogg (d. 1899)
1886–91 · Illustrations: wood engravings and color lithographs
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.