A painting can be out of copyright and thephotograph of it can still be protected.

Reverse Copy of Le Jardin, appelé aussi Le Marais (The Garden, also called The Marsh), plate 1 from "Les Quatre Paysages" (The Four Landscapes)

Anonymous

17th century · Etching

Reverse copy of the Frontispiece: Gaigne Petit, plate 1 from "Le Cris de Paris" (The Cries of Paris)

Simon Francis Ravenet, the elder (d. 1774)

18th century · Etching and engraving

Wilton album, folio 30a: The Adoration of the Shepherds; the Virgin seated in front of a column to the right, the shepherds approaching from the left

Anonymous

1526–36 · Engraving

Wilton album, folio 12f: The Nativity, the Holy Family on the right

Anonymous

1527–50 · Etching

Copy of Garden with a central parterre and diagonal paths with a house at right, plate 1, from Hortorum viridariorumque elegantes et multiplicis formae

Hans Vredeman de Vries (d. 1606)

1615 · Engraving

Reverse copy of Garden with central parterre with square compartments in the diagonals and crosses in the corners, plate 9, from Hortorum viridariorumque elegantes et multiplicis formae

Hans Vredeman de Vries (d. 1606)

1615 · Engraving

Plate 1 from "Allegories of the medical profession" (copy)

Johannes Gelle

1609, before 1649 · Engraving

Faith, plate 1 from "The Seven Virtues", copy after Matham

Hendrick Goltzius (d. 1617)

published before 1652 · Engraving

Reverse copy of the Assasination of Amnon, son of David, from Grandes alcôves à la romaine, plate 1

Melchior Küsel (d. 1683)

17th century · Etching

Reverse copy of the Title Page depicting Hope above the cartouche bearing the inscription, from Montants de trophées d'armes à l'antique, left-hand side of plate 1

Jean Le Pautre (d. 1682)

17th century · Etching

The Liar, a comedy in three acts

Carlo Goldoni (d. 1793)

1922 · Illustrations: woodcuts

The Liar, the copy of the Liar - 1

Francis Alÿs (d. 9999)

1991–94 · Enamel on metal sheet, oil on paperboard with masking tape and oil and wax on canvas glued to particle board