
Bell
Unrecorded maker
750–950 CE · Gold alloy
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
181 ms. The Metropolitan Museum of Art, Collection API (Open Access)
451 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bell
Unrecorded maker
750–950 CE · Gold alloy
Cleared · Public Domain
live
The Lictors Bringing Brutus the Bodies of his Sons
Jacques Louis David (d. 1825)
1787 · Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache
Cleared · Public Domain
live
Study for The Lictors Bringing Brutus the Bodies of his Sons
Jacques Louis David (d. 1825)
ca. 1788 · Black chalk and brown ink on paper
Cleared · Public Domain
live
Study for the Wife and Daughters of Brutus (recto); Study of a Male Nude (verso)
Jacques Louis David (d. 1825)
ca. 1788 · Red chalk
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.