The Amusements of Private Life
Louis Surugue (d. 1762)
1747 · Engraving; second state of two
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
203 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
364 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 277 matching records exist across the two collections.
Results for "The Life of Water (La vie de l'eau)"12 records
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Assomption de La Sainte Vierge (Assumption of the Virgin), from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of three (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Attributs de La Sainte Vierge (Attributes of the Virgin), from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of three (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ensevelissement de La Sainte Vierge (Burial of the Virgin), from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of three (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frontispiece, from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of two (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Naissance de Jésus (The Birth of Jesus), from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of three (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Annunciation, from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of two (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Annunciation, from "La Vie de La Sainte Vierge" (The Life of the Virgin)
Jacques Callot (d. 1635)
ca. 1633 · Etching; second state of three (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Life of Montmartre
Marie-Louis-Pierre Vidal (d. 1929)
1899 · Color lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Vie de Monsieur Quelconque (The Life of Mister Ordinary)
René-Georges Hermann-Paul (d. 1940)
1894–95 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Populations of Water (Peuplements de l'eau)
Jean Dubuffet (d. 1985)
1958 · Lithograph; proof
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Life of Water (La vie de l'eau)
Jean Dubuffet (d. 1985)
1958 · Lithograph
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.