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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    426 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    363 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 22,471 matching records exist across the two collections.

Results for "The Lifting of the Siege of the Black Ri"12 records

Institutions answered newest-first by record, interleaved

The Siege of a Fortress by Albrecht Dürer, The Metropolitan Museum of Art

The Siege of a Fortress

Albrecht Dürer (d. 1528)

n.d. · Woodcut

Cleared · Public Domain

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The MetSimilar
The Siege of Fiesole by the Goths by Friedrich Sustris, The Metropolitan Museum of Art

The Siege of Fiesole by the Goths

Friedrich Sustris (d. 1599)

1550–99 · Black chalk, pen and brown ink, brush and brown wash; squared in black chalk; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
The Lifting of the Siege of the Black River Camp by Jacques Philippe Le Bas, The Metropolitan Museum of Art

The Lifting of the Siege of the Black River Camp

Jacques Philippe Le Bas (d. 1783)

1771 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Grand'Garde (Souvenir of the Siege of Paris) by James Tissot, The Metropolitan Museum of Art

Grand'Garde (Souvenir of the Siege of Paris)

James Tissot (d. 1902)

1878 · Etching and drypoint on laid paper; only state

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Siege of Bommenede

Simon Wynhoutsz Frisius (d. 1628)

1615–16 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 5 at the top center, from "Le Siège de Breda" (The Siege of Breda)

Jacques Callot (d. 1635)

1628 · Etching; first state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 6 at the upper right, from "Le Siège de Breda" (The Siege of Breda)

Jacques Callot (d. 1635)

1628 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Siège d'York-Town (The Siege of Yorktown)

Jean-Mathias Fontaine (d. 1853)

1838–41 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Siège d'York-Town (The Siege of Yorktown)

Jean-Mathias Fontaine (d. 1853)

1838–41 · Etching and engraving on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Siege of Sebastopol

George Baxter (d. 1867)

ca. 1855 · Baxter process: aquatint key plate proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Siege of Memory

Federico Castellon (d. 1971)

1965 · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Siege of the Dealers

José Luis Cuevas (d. 2017)

1979 · Ink and colored pencil on paper

In copyright

live
The MetSimilar

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