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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    201 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    370 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "The Lime-Burner (W. Jones, Lime-Burner,"9 records

Institutions answered newest-first by record, interleaved

Frog Pendant by an unrecorded maker, The Metropolitan Museum of Art

Frog Pendant

Unrecorded maker

550–850 CE · Gold, ceramic

Cleared · Public Domain

live
The MetSimilar
Tupu (pin) by an unrecorded maker, The Metropolitan Museum of Art

Tupu (pin)

Unrecorded maker

1400–1533 CE · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Figure Pendant by an unrecorded maker, The Metropolitan Museum of Art

Figure Pendant

Unrecorded maker

6th–16th century CE · Gold alloy

Cleared · Public Domain

live
The MetSimilar
Allgemeines historisches Taschenbuch, oder Abriss der merkwürdigsten neuen Welt-Begebenheiten: enthaltend für 1784 die Geschichte der Revolution von Nord-America [General historical pocketbook, summarizing noteworthy world news of 1784, with a History of the Revolution in North America] by Matthias Christian Sprengel, The Metropolitan Museum of Art

Allgemeines historisches Taschenbuch, oder Abriss der merkwürdigsten neuen Welt-Begebenheiten: enthaltend für 1784 die Geschichte der Revolution von Nord-America [General historical pocketbook, summarizing noteworthy world news of 1784, with a History of the Revolution in North America]

Matthias Christian Sprengel (d. 1803)

1784–87 · Illustrations: etching and engraving, some hand-colored; pen and ink and wash drawings

Cleared · Public Domain

live
The MetSimilar
The Lime-Burner (W. Jones, Lime-Burner, Thames Street) by James McNeill Whistler, The Metropolitan Museum of Art

The Lime-Burner (W. Jones, Lime-Burner, Thames Street)

James McNeill Whistler (d. 1903)

1859 · Etching and drypoint, warm black ink on ivory wove paper; first state of two (Glasgow)

Cleared · Public Domain

live
The MetSimilar
The Lime-Burner (W. Jones, Lime-Burner, Thames Street) by James McNeill Whistler, The Metropolitan Museum of Art

The Lime-Burner (W. Jones, Lime-Burner, Thames Street)

James McNeill Whistler (d. 1903)

1859 · Etching and drypoint, black ink on fine ivory laid paper; second state of two (Glasgow)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Page, Volume 2

Edward Gordon Craig (d. 1966)

1899 · Illustrations: woodcuts, some hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Betel Nut Mortar and Pestle

Unrecorded maker

late 19th–early 20th century · Wood, traces of lime

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Body mask

Asmat artist(s)

mid-20th century · Mulberry fiber, rattan, sago palm leaves, wood, bamboo, cassowary bone, cassowary feathers, feathers, coix seeds, pigment

In copyright

live
The MetSimilar

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