Oil Lamp in the Form of a Sphinx
Andrea Briosco, called Riccio (d. 1532)
mid-16th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
206 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 30 matching records exist across the two collections.
Results for "The Linotype Magazine, February, Vol. 18"12 records
Institutions answered newest-first by record, interleaved
Watch with scenes from the story of Rebekah at the well
Johannes van Ceulen (d. 1715)
ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
liveThe MetSimilar
Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock
James Cox (d. 1800)
1766 · Case: gold with diamonds and paste jewels set in silver, pearls; Dial: white enamel; Movement: partly gilded brass and steel, wheel balance and cock of silver set with paste jewels
Cleared · Public Domain
liveThe MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1
Rudolph Ackermann, London (d. 1832)
January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 5
Rudolph Ackermann, London (d. 1832)
January–June 1811 · Illustrations: etching, hand-coloring, woodcut and fabric samples
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bound issues of 'El Hijo del Ahuizote' and 'El Coyote'
Daniel Cabrera Rivera (d. 1914)
1880–1885 · Hand (or stencil) coloured lithographs and letterpress
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Jabez Hogg (d. 1899)
1886–91 · Illustrations: wood engravings and color lithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs
Timothy Cole (d. 1931)
1892 · Wood engraving on Japan paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs
Timothy Cole (d. 1931)
1892 · Wood engraving on Japan paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old English Masters, II, Engraved by Timothy Cole, Japan Proofs
Timothy Cole (d. 1931)
1902 · Wood engravings on Japan paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Spanish Masters, Engraved by Timothy Cole, with Historical Notes by Charles H. Caffin and Comments by the Engraver
Timothy Cole (d. 1931)
1907 · Wood engravings on Japan paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Linotype Magazine, February, Vol. 18, No. 12
The Linotype Magazine (d. 1950)
1928 · Illustrations: photomechanical process.
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.