
Marble head of a man
Unrecorded maker
3rd century BCE · Marble (white with fairly large crystals, probably from the Greek islands)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
353 ms. The Metropolitan Museum of Art, Collection API (Open Access)
389 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 497 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Marble head of a man
Unrecorded maker
3rd century BCE · Marble (white with fairly large crystals, probably from the Greek islands)
Cleared · Public Domain
live
The Healing of the Blind Man and the Raising of Lazarus
Unrecorded maker
first half 12th century (possibly 1129–34) · Fresco transferred to canvas
Cleared · Public Domain
live
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Bernard van Orley (d. 1542)
ca. 1515 · Wool, silk (16-20 warps per inch, 6-8 per cm.)
Cleared · Public Domain
live
Christ as the Man of Sorrows
Frans Crabbe van Espleghem (d. 1553)
ca. 1522–25 · Engraving and etching
Cleared · Public Domain
live
The Rabbit Hunt
Pieter Bruegel the Elder (d. 1569)
1560 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[The Royal Private Baths]
Rev. Francis Lockey (d. 1869)
ca. 1849 · Paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Man at the Café
Juan Gris (d. 1927)
Paris, winter–spring 1914 · Oil and newsprint collage on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mime
Man Ray (d. 1976)
1916 · Oil on paperboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flying Dutchman
Man Ray (d. 1976)
1920 · Oil on paperboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La femme (Woman)
Man Ray (d. 1976)
1918–1920 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Man Behind the Guns that Make the First Line of Defence from World War I Leaders, Scenes, Insignia cards (W545)
Unrecorded maker
1920s · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man with Pink Face, New Guinea
Irving Penn (d. 2009)
1970, printed 1993 · Silver dye bleach print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.