
Mademoiselle Bécat at the Café des Ambassadeurs, Paris
Edgar Degas (d. 1917)
1877–78 · Lithograph; only state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
301 ms. The Metropolitan Museum of Art, Collection API (Open Access)
319 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,342 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Mademoiselle Bécat at the Café des Ambassadeurs, Paris
Edgar Degas (d. 1917)
1877–78 · Lithograph; only state
Cleared · Public Domain
live
George Moore (1852–1933) at the Café
Edouard Manet (d. 1883)
1878 or 1879 · Oil on canvas
Cleared · Public Domain
live
At the Café des Ambassadeurs
Edgar Degas (d. 1917)
1879–80 · Etching, softground, drypoint, and aquatint; fifth (final) state; canceled plate
Cleared · Public Domain
live
Caudieux at the Petit Casino (from Le Café Concert)
Henri de Toulouse-Lautrec (d. 1901)
1893 · Crayon and spatter lithograph with scraper printed in black on wove paper; only state
Cleared · Public Domain
live
Madame Abdala, from "Le Café Concert"
Henri de Toulouse-Lautrec (d. 1901)
1893 · Brush and spatter lithograph with scraper printed in black on wove paper; only state
Cleared · Public Domain
live
At Les Ambassadeurs (Au Café-Concert / At the Café Concert), from "L'Estampe Originale"
Henri de Toulouse-Lautrec (d. 1901)
1894 · Crayon, brush and spatter lithograph printed in six colors; only state
Cleared · Public Domain
live
Viennese Café: The Man of Letters (Wiener Café: Der Litterat)
Moriz Jung (d. 1915)
1911 · Color lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dancer at a Café Concert
Théophile-Alexandre Steinlen (d. 1923)
1892–93 · Black ink over blue and black crayon with white lead used for correction and blue crayon and black ink border on off-white wove paper, darkened, mounted on board, and affixed to heavy board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In Paris–A Café Artist
Charles Dana Gibson (d. 1944)
1894 · Pen and ink over graphite on artist's board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Four Friends at the Cafe
John Sloan (d. 1951)
1904 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Man at the Café
Juan Gris (d. 1927)
Paris, winter–spring 1914 · Oil and newsprint collage on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Café, Paris]
Germaine Krull (d. 1985)
May 19, 1928 · Gelatin silver print
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.