
The Marketplace in the Village of Marigny (Partie de la place du marché de Marigny)
Charles Nicolas Cochin II (d. 1790)
1761 · Red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
847 ms. The Metropolitan Museum of Art, Collection API (Open Access)
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,295 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Marketplace in the Village of Marigny (Partie de la place du marché de Marigny)
Charles Nicolas Cochin II (d. 1790)
1761 · Red chalk
Cleared · Public Domain
live
The Pride of the Village
Henry Peters Gray (d. 1877)
1858–59 · Oil on canvas
Cleared · Public Domain
live
Marketplace in Pontoise
Camille Pissarro (d. 1903)
1886 · Graphite, pen and black-gummed ink on buff wove paper (glossy on verso); right margin torn from notebook
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Village Street
Frances Flora Bond Palmer (d. 1876)
1855 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Village Blacksmith
Frances Flora Bond Palmer (d. 1876)
1864 · Hand-colored lithograph with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Village
Fernand Léger (d. 1955)
1914 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Marketplace, Vitebsk
Marc Chagall (d. 1985)
1917 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Snowstorm in the Village
John Sloan (d. 1951)
1925 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Snowstorm in the Village
John Sloan (d. 1951)
1925 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Painting from a Ceremonial House Ceiling
Yagari, Seseriman village
1973 · Sago palm petiole, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Painting from a Ceremonial House Ceiling
Yagari, Seseriman village
1973 · Sago palm spathe, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Painting from a Ceremonial House Ceiling
Yagari, Seseriman village
1973 · Sago palm spathe, paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.